Band: Dagon
Album: Secrets of the Deep (Independent Release)
Year: 2005
Website: http://www.myspace.com/dagonmetal
Rating: 8/10
Lansing, Michigan's Dagon navigates its metal vessel upon passages many others have sailed in this new age of heavy metal. This fearsome foursome calls upon the wisdom of their elders from Gothenburg, Sweden: Dark Tranquility, At the Gates, Dimension Zero, as well as Death's Chuck Schuldiner (RIP) and Iron Maiden for inspiration with melodies. As stated before, this isn't really treading upon undiscovered waters. What makes this album special, though, is the fresh ideas Dagon explores. "Secrets of the Deep" is a concept album about the dangers of the seas and the album is divided up into five tracks. "Children of Poseidon" and "Children of Poseidon II" is a Greek mythology-based story about Poseidon creating an under water legion of lethal mutants to battle the inhabitants of land (imagine an evil Aqua Man who joins a black metal band and you'll get the picture). The other three tracks all pertain to shark attacks.
The lyrics on "Secrets of the Deep" appear to be collaboration between band members, which has resulted in excellent lyrics. Each song tells a story with vivid visuals. "Children of Poseidon" sees the band at their creative peak with lines like, "Perverse mutated hybrids bred within our walls lighting of electric eel strength of megaladon's jaws, Cunning of orca stinger of ray weapons of Poseidon closing in on their prey". The rhyme placement of each word helps create smooth, catchy rhythms designed for the sole purpose of banging your head and pumping your fist. The group's rhythms often follow the tone of each song. Bryant and Lance roll their picks over their guitar strings like the ebb-and flow of the ocean's tides. This is like a scene of the rolling ocean tides, but when the lyrics cut in, the music changes to present a scene of Poseidon's underwater fortress. The next track, "Children of Poseidon II" begins with Iron Maiden-type gallops, like watching a majestic scene of Poseidon leading his forces to battle upon a chariot made of choral and driven by sea horses. Just like its predecessor, this track's music takes a harsher tone when the lyrics begin.
If you are sick of all the Emo bands turning great metal rhythms into "Teenage, Whine and Cry Magazine" then you will enjoy "Secrets of the Deep". The vocals alternate between a throaty, black/thrash style and guttural death metal vocals. The album is experience best with a lyric sheet in front of you because understanding what this group is saying can be difficult. The lyrics are an integral piece of the album that when put into motion can transport your mind to gory, shark-infested waters and fantastic sea realms! Review by Darren Cowan
Band: Damnation Army
Album: Tyrant (Mascot Records)
Year: 2006
Website: http://damnationarmy.cjb.net
Rating: 7.5/10
Sweden's Damnation Army, the brain child of Thomas Nyholm, offer nothing new in the terms of style and definitely nothing new in terms of complexity or intricacy. This however, is not necessarily a bad thing.
Nyholm, who handles all guitars, vocals, bass and even drums, opts for an old school black metal style, with plenty of melody. As I mentioned before, it's fairly simplistic stuff, with its three-chord song structures and general repetitiveness, but there is just something about "Tyrant" that kept me captivated throughout. There is also a very raw feeling to the album, with results in some amazingly cold and eerie atmospheres.
It took a couple of listens, but "Tyrant" is an album that will grow on you. It does get off to a slow start, but as the album progresses it gets much more interesting as it reaches the climax, "Poisoning Your Mind", which is probably the most melodic song on the album, but it's by far the best track on here. So, whilst they're not going to win any awards for the greatest or most complicated album, Thomas Nyholm/Damnation Army have released a pretty decent album that should gain them a little more recognition.
Band: Danzig
Album: Circle of Snakes (Regain Records)
Year: 2004
Website: http://www.danzig-verotik.com
Rating: 8/10
The man who has inspired many is back with his eighth studio album titled "Circle of Snakes", which has been slammed in most of the reviews I've read.
I bought Danzig 6:66 - Satan's Child and it still makes an occasional appearance now and then but it hasn't been since Danzig 4 that I've really listened to anything in great detail. Reading into this album a little more, I do think that some were a little unfair, sure the guy may be getting old, and of course he's not going to sound as good as he did on Danzig Volumes I-IV but Circle of Snakes isn't as bad as people have made it out to be. The album is very heavy and dirty sounding, with chugging riffs throughout. The sludgy-ness of the album can make things sound a little repetitive, but there are some definite classic Danzig highlights on the album. The rumbling title track and "1000 Devil's Reign" see's Glenn giving a great vocal performance, "Hellmask" could be their first attempt at Speed Metal and "Black Angel, White Angel" well, could very well be one of the best songs they've done in a while if not ever.
Come on, give the guy a break, he's been one of he most influential people in metal. You'll probably read a couple of reviews of this, but I urge you to check it out for yourself before you form an opinion because it's not as bad as many make it out to be.
Band: Dark Disciple
Album: Unholy Hate Gore (Morbid Records)
Year: 2004
Website: http://www.darkdisciple.com
Rating: 8.5/10
With "Unholy Hate Gore" you can actually hear the hate oozing out of the speakers!!!
Dark Disciple take us back to basics and don't mess around, nothing fancy, just solid old school death metal in the vein of Deicide, no fancy melodies and no other influences from other genres to weaken the sound. It's not an easy listen for sure, it's very intense and devastating, but if you can get past that, you've got a rock hard death metal album that should please many. The riffs and tempos on "Unholy Hate Gore" are very varied, there is plenty to keep you entertained throughout.
"Unholy Hate Gore" is furious and blasphemous album, with tracks like "Jesus Loves You", "Serving the Priest" and "A Thousand Corpses" you know what you are going to get. This is my first experience of Dark Disciple and they have proven so far to be one of America's best kept secrets. To sum things up, although this is only there debut album, I'm almost certain they're destined for great things. This CD comes highly recommended to all true death metal fans.
Band: Dark Earth
Album: The Eternally Damned Demo
Year: 2002
Website: http://www.dark-earth.cjb.net
Rating: 5.5/10
Although this is good old school Death /Thrash Metal, it is amongst the poorest production I have heard reviewing at Metal Mayhem.
I have decided to look past the production and focus on the music. First I just have to mention their cover of Slayer's "Raining Blood". I always think there is no point doing a cover unless it is different and offers something new than the original. Slayer covers must be hard to do, and this just shows the talent of the band.
Obvious influences include Deicide, Slayer and Cannibal Corpse. Dark Earth are a good listen, but this demo doesn't do them justice and won't get them anywhere regarding record contracts unless they re-record this in a studio.
Despite the production this is a good start for the band!
Band: Dark Embrace
Album: Bitter End Demo
Year: 2003
Website: http://www.darkembrace.tk
Rating: 6/10
Although this isn't the best demo I've heard, there were times that Dark Embrace impressed me, they've found an interesting style but need to work on it if they want to go anywhere.
Listening to this for the first time didn't really impress me, it was only after 3-4 spins that I caught on and was reminded of Old Tiamat, Moonspell and at times Rotting Christ. Vocalist Oscar Asunder has a wide variety of vocal styles ranging from clean to a raw style very similar to vocalist like Fernando Ribeiro and Sakis from RC, but I do have to say he goes over the top a little with his clean style. The guitars could do with beefing up a little but other than that, they have got some interesting ideas.
The band originally started out as a black metal outfit, but soon progressed into a Gothic/Doom band. You can hear that the black metal influence hasn't left the band completely and the incorporate it well into their new found style. One to Watch, but only if they continue to work hard which I'm sure they will!
Band: Dark Fortress
Album: Profane Genocidal Creations (Red Stream)
Year: 2003
Website: http://www.thetruedarkfortress.com
Rating: 9/10
You probably won't be able to get this from your local high street record store, so I recommend you go and get this directly from Red Stream. German Dark Fortress offers everything you could want from a black metal album along with acoustic passages, choirs, melody and brutality. There is also a very “Thrashy” feel to it.
The Artwork is excellent, and at over 68 minutes long, the songs are beautifully structured, never seem to drag on, or never seem to be just rushed. Main influences are bands like Dissection and Immortal.
This is an album that any black metal fan should have in their collection. I also recommend you try to find their debut album "Tales From Eternal Dusk" swell. Azathoth, Paymon, Santura, Draug, Asvargr and Seraph have created a modern black metal masterpiece that I personally rank very high.
Band: Dark Funeral
Album: Attera Totus Sanctus (Regain Records)
Year: 2005
Website: http://www.darkfuneral.se
Rating: 7.5/10
Opting for producer Daniel Bergstrand this time around, Sweden's Dark Funeral are back with the follow-up to 2001's "Diabolis Interium"
I've never really been a fan of Dark Funeral, but I do have to admit that I was impressed when I heard "Attera Totus Sanctus" for the first time. The majority of this is fast paced with Icy cold melodies and evil shrieks, all wrapped up by the great production of Daniel Bergstrand, clean but with a bit of fuzz to maintain that evil sound. Razor sharp guitar riffs together with the amazing drum-work of Matte Modin, really makes for an impressive all-round album, even though they never stray too far from their tried and tested trademark sound.
No foofy keyboards, just full-on, in your face, aggressive black metal and, although it may not be the most original album you'll hear, "Attera Totus Sanctus" is well worth checking out. By far the bands best work to date.
Band: Dark Lunacy
Album: Forget Me Not (The Art Records)
Year: 2003
Website: http://www.darklunacy.com
Rating: 9/10
Ever felt like you were floating through the skies and suddenly crashed into utter hell?
Well, if you have, then you will understand what Dark Lunacy is. Dark Lunacy is by far the best symphonic metal I've ever heard, mixing beautiful music with the power of metal, Dark Lunacy have managed to create mind-blowing metal with its beauty and ugliness. I rated this a 9 because it is without a doubt, one of the best underground releases of 2003. It's also different than other symphonic metal because they tend to go heavier than other symphonic metal bands. Another reason is that the sounds they use aren't as cliché, they use a lot of sounds from their home land, Italy, which gives the music a new dimension.
What are you waiting for, go check them out! By Cesar Rosales
Band: Dark Nova
Album: Sivilla (Black Lotus Records)
Year: 2005
Website: http://www.darknova.gr
Rating: 4.5/10
Back to Greece with some symphonic power metal.
The press release says Dark Nova are "The Greek answer to all the cheesy heavy-power metal bands around". I digress - they come close to taking the crown. Dammit, buy a keyboard from somewhere other than Toys ‘R Us.
I feel like I'm watching a History Channel program on Ancient Egypt, buy Rhapsody or Iron Savior instead. Review by Ryan Bartek
Band: Dark Tranquillity
Album: Character (Century Media)
Year: 2005
Website: http://www.darktranquillity.com
Rating: 9.5/10
One of the bands responsible for the "Gothenburg Sound", Dark Tranquillity are back with their seventh full length album and the follow up to 2002's "Damage Done".
Whilst bands such as In Flames and Soilwork are off elsewhere on a more commercial path, you can count on Dark Tranquillity to remain true and provide the real Gothenburg sound. When comparing it to "Damage Done", "Character" holds up very well indeed, gone are the clean vocals, the songs in general seem to have a more thrashy sound to them, but they still retain their dual-harmony and signature ambient interludes with semi-acoustic guitar and syths that sit nicely in the background.
Although it could be arguable as to whether this is better than "Damage Done", I would definitely say this goes one step further in combining Speed, aggression, melody with intelligent lyrics all with amazing musicianship to ultimately create what could be Dark Tranquillity's finest moment yet. If your into Melodic Death and are yet to experience Dark Tranquillity, this is the ideal place to start!
Band: Dark Tranquillity
Album: Lost to Apathy (Century Media)
Year: 2004
Website: http://www.darktranquillity.com
Rating: 8/10
With a brand new studio album only a month or so away, the "Lost to Apathy EP" provides a taster of things to come with the song "Lost to Apathy" which is taken from that album, as well as a few other goodies thrown in.
For the measly price of a CD single, you get the new song that I've just mentioned, "Derivation tnb" which apparently features altered bits and pieces from various songs from the upcoming album, a remix of The Endless Feed (also taken from their forthcoming album), a live version of "Undo Control" which features on the Grammy nominated "Projector", the video to "Lost to Apathy" and a Dark Tranquility screensaver.
All that for a few quid! Its a great little package that all DT fans should get. If the rest of "Character" is going to be like what I've heard on here, it's going to be an amazing album, thats for sure!
Band: Dark Tranquillity
Album: Exposures in Retrospect and Denial (Century Media)
Year: 2004
Website: http://www.darktranquillity.com
Rating: 9/10
Now I don't mind a bit of Dark Tranquillity, I've never been a huge fan as to go and buy all their records, so this was a great one for me to review.
"Exposures in Retrospect and Denial" is a huge collection of rare, live and unreleased songs, the ultimate 15th year anniversary present. First you get the extremely hard to find "Trail of Life Decayed" Demo from 1991 and the "A Moonclad Reflection" EP from 1992 (feat. Anders Friden (In Flames) on vocals), and if that's not enough, you get a whole horde of unreleased tracks which were recorded during various sessions. And for those who want even more, you even get another CD, which features a whole live performance recorded in Krakow, Poland which was previously released on the "Live Damage DVD"
2CD's for the price of 1, this really has something for everyone. For those who aren't that impressed with the new direction of the band, you get the early, raw recordings from the demo and EP which is surely priceless, and for everyone else, you get 7 new, unreleased songs and a whole live concert. this provides a great opportunity to see how Dark Tranquillity has progressed over the past 15 years from the early raw black/death years to one of the greatest melodic death bands around.
Band: Darkane
Album: Layers of Lies (Nuclear Blast)
Year: 2005
Website: http://www.darkane.com
Rating: 8/10
To be honest, I've never really paid that much attention to these Swedes.
There's a little inconsistency as the album progresses, but the majority of it is fast and very exciting. What impressed me the most was the sheer diversity throughout the album, one moment its hectic, lightning fast, technical riffing and the next they will burst out into some melodic passages. The vocals too, switch between rough, shouted vocals and a more melodic clean style, all comes highly recommended for fans of such bands as Dark Tranquillity, In Flames, Soilwork and maybe even Mushuggah.
Fast, aggressive and highly technical, and yet melodic also, without doubt there is some pretty strong stuff on here. If you like complex metal, be sure to check this one out.
Band: Darkane
Album: Layers of Lies (Nuclear Blast)
Year: 2005
Website: http://www.darkane.com
Rating: 8.5/10
After the mega-epic operatic intro "Amnesia of the Wilderlorm Apocalypse", you'd expext Darkane to turn into a total clone of Dimmu Borgir's latest efforts.
Luckily they stay in the realm of progressive thrash as they have in the past. The new record is weirder than Expanding Senses and far heavier. I've never been huge on the vocals but this time around he's all over the place and hitting many different notes and utilizing more vocal patterns. I'm thinking Illogicist produced by Daniel Bergstrand, if that makes sense to anyone. Darkane uses a lot of that spacy Soilwork sound with the keys and bizarre distortion.
There are some nice acoustice breaks, but the pacing is aggressive all around. Easily the most inventive of Darkane's entire catalouge. Review by Ryan Bartek
Band: Darkest Hour
Album: Undoing Ruin (Victory Records)
Year: 2005
Website: http://www.darkesthour.cc
Rating: 9.5/10
One of the finest Metalcore band around at the moment, and "Undoing Ruin" just builds on that reputation further.
Not much to say about this really, other than there are many, many Metalcore bands that I hear of, some good and some not so good, but Darkest Hour and the kind of band that come along and say "Here you go, this is how its meant to be done properly". If that wasn't enough, they combine that with some absolute quality Swedish Melodic Death to create a really impressive album.
"Undoing Ruin" is definitely the bands best work to date, where as "Hidden Hands of a Sadist Nation" was good, this is a lot more melodic and much more pleasing to listen to, they even increase the number of wild guitar solo's. Darkest Hour have really impressed me here, especially since I am not really a fan of the genre in general. Comes Highly Recommended!
Band: Darkest Hour
Album: Hidden Hands of a Sadist Nation (Victory Records)
Year: 2003
Website: http://www.darkesthour.cc
Rating: 9/10
Straight from the off, the high octane frenzy and chaotic melody with machine gun double-bass drumming and guitars that are technical yet destructive immediately hit you hard.
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Hailing from Washington DC, Darkest Hour sound like they have come straight from the streets of Gothenburg, Sweden. They take all the great elements of Hardcore and fuse it with the classic "Gothenburg" sound, to create a very "At the Gates" feeling, but also add there own stamp on things. |
If that wasn't enough to persuade you, the album was recording in the world renowned Studio Fredman in Gothenburg, Sweden by legendary producer Fredrick Nordstrom and includes guest performances by the likes of Tomas Lindberg (At the Gates, The Crown etc etc), Peter Wichers (Soilwork), Anders Bjorler (The Haunted) and Marcus Suneson (The Crown). I would recommend this album to anyone simply looking for a heavy album, and definitely to those into bands like At the Gates, The Haunted, In Flames etc and to top it all off, the last track on the album, the 13 minute instrumental "Veritas, Aequitas" shows you all the aspects and the talent of the band. Need I say more?
Band: Darkthrone
Album: The Cult is Alive (Peaceville)
Year: 2006
Website: http://www.darkthrone.no
Rating: 8.5/10
Ouch! There's going to be mixed reviews and opinions on this one.
I wouldn't call myself an avid Darkthrone fan, but you can't deny the quality on the bands early albums. The first three of "Soulside Journey", "A Blaze In The Northern Sky" and "Under A Funeral Moon" are the only albums I listen to. In fact, I cant really recall hearing much after "Transylvanian Hunger" so it's been a while to say the least. If you've been reading around, you'll notice this has taken somewhat of a beating review wise, but really, I can't understand what all the fuss is about. Sure, there's a change of direction, but this album rocks!!! There's still hints of Black Metal, but the majority is a more "punk" style with hints of Motorhead and maybe even Hellhammer and Celtic Frost. Its also got a Death 'n' Roll feel to it, think along the lines of Eatmyfuk and you're pretty close.
You still get the harsh Nocturno Culto vocals and that raw sound, but I found it (dare I say it!) damn catchy, especially "Graveyard Slut" which features Fenriz on vocals. Not sure if I am alone on this, but, I welcome this change of style. They're about 11 or 12 albums into their career now, and lets face it, 12 "A Blaze in the Northern Sky's" or 12 "Under Funeral Moon's" would just be boring. Its raw, its angry an it's got a real attitude. I like it!
Band: Darzamat
Album: Semi Devilish (Self-Released)
Year: 2005
Website: http://www.darzamat.art.pl
Rating: 6/10
Gothy metal from Poland capitalizing on the Lacuna Coil explosion.
It's equal parts Moonspell and Cradle of Filth. Girls a cutie though. Nice voice, good range. What needs to go is the cheesiness of the Fisher Price keyboard. However, the drums are tight. Sometimes the guitar shreds. The blasts are crazy in their speed. Why the hell isn't he doing this more often? It sounds like Hellhammer spazzing out in blunt spurts and then lapsing into sleepwalking. The lead-in's to the songs are often clunky. This one's pretty up and down through the entire program. I'm liking a part here and there, but altogether I don't think it melds together perfectly.
There is a lot of promise here, but Darzamat needs to refine their sound. I'm very interested to see what they can pull off next. darzamat@fr.pl Review by Ryan Bartek
Band: David R Black
Album: Trinity Part 2 (1000 Watt Recordings)
Year: 2005
Website: http://www.davidrblack.net
Rating: 6/10
As you've probably guessed by now, "Trinity Part 2" is the follow up to, well, "Trinity Part 1".
Whilst it's more of the same, "Part 2" is the heavier of the two, and easily the more interesting. "Part 2" definitely shows a marked improvement, the songs are more interesting, and the album is not as dull in general.
I still can't think who these guys sound like, but fans of bands like Placebo, and moving, depressing rock in general, will be impressed by these couple of E.P's. Has it's moments, but like "Part 1", needs a bit more excitement to really make anyone other than fans of the genre to stand up and take notice.
Band: David R Black
Album: Trinity Part 1 (1000 Watt Recordings)
Year: 2004
Website: http://www.davidrblack.net
Rating: 5/10
A totally unknown band to me, but before this mini album, they have released 4 E.P's and a mini live album.
The six tracks on "Trinity" are pretty standard indie rock with a heavier edge in which, whilst it's played well, it lack any real originality. One good thing is the vocalist, he has a pretty decent and original voice, even if it does sound familiar. (e-mail me if you know!). What David R Black need now is a full-length album as "Trinity" wasn't enough to swing me one way or another, E.P's are fine but they need that debut album out soon.
Whilst the good songs on here are decent, the rest sound a little dull compared to them. I think they need to just put a bit excitement and originality into their songs and they could be one to watch.
Band: David Shankle Group
Album: Ashes to Ashes (Nuclear Blast)
Year: 2003 (Release Date: 10.06.03)
Website: http://www.davidshanklegroup.com
Rating: 9.5/10
Many of you will remember the name David Shankle from the 1988-1995 era Manowar, During those years, David's virtuosic high-speed guitar playing and breathtaking solos thrilled Manowar fans around the world. Now he returns with this, his debut album for his DSG.
The album features a broad mix of truly great heavy metal songs, speedy instrumentals and epic ballads, all in true heavy metal fashion. Not only does it stick to that pattern, it also includes jazz and classical influences, the variety of styles on show here is definitely an advantage to the band, it's sure to fascinate any metal fan.
I can say every track on the album stands out. From the up-tempo opener "Ashes to Ashes" to the beautiful composition "Calling all Hero's" and, for me the best track on the album, the heavy chugging of "The Tolling of the Bells". This could well win the Power Metal album of the Year.
Band: Dawn of Defiance
Album: The Obscure Awakening (Mythic Silence Records)
Year: 2006
Website: http://www.dawnofdefiance.com
Rating: 8/10
Dawn Of Defiance is a solo thrash/ death metal project from Uruguay (South America), with all music has been composed, performed and recorded by Diego Sendra. I didn't really know what to expect from a band from Uruguay, we all know that South America has a proven track record of producing high quality metal acts such as Sepultura.
Death Metal is at the heart of "The Obscure Awakening" and this the first full-length release from Dawn Of Defiance. However there are also slabs of Thrash in the mix and plenty of power along with the riffing and general brutality, however the song writing doesn't fall into a rut and the song writing itself varies from track to track which is a nice change in a genre where so many releases become samey. "Social Slavery" kicks off the album with some nice riffing and some very heavy drumming, before the pace changes and so does the song dynamic, to a more melodic sound, this is a very promising start to the album indeed. "Summoning Death", is the opposite starting off with a quiet mellow intro before hitting you full force.
More shocks are in store with "Love Denied" which uses clean, vocals and guitars, while still remaining an epic track. A very clever trick, especially in this modern age of progressive death metal and bands throwing in everything but the kitchen sink at a track, here simplicity wins out. Although for the remainder of the album the vocals are growled, on "Haunted Dreams" he again uses a cleaner sound although this song is much heavier than "Love Denied". This a great album and a testament to the work, skill and dedication of what a one-man project can do. Recommended if you want something different from your Death Metal. Joe Freeman
Band: Dawn of Defiance
Album: Summoning Death
Year: 2003
Website: http://www.dawnofdefiance.com
Rating: 7/10
After lots of ups and downs, forming and jumping to various bands, Diego Sendra decided to go it alone and create Dawn of Defiance.
DoD to me a very intriguing band, combining a primitive form of thrash/death with hints of black and doom with "Blood, Fire, Death" era Bathory instantly coming to mind in parts of the songs. On their site "Summoning Death" is described at the most dangerous kind of demonic possession, where the individual falls into the more utter insanity, victim of a very dark, powerful spiritual entity, prisoner, addicted to a sadist game of violence and perpetual death bringing, satisfying the beast that lies inside. The music goes terribly fast and aggressive all of the time, until the very end of the song, finishing with the spoken words of the very same death.
I would like to hear maybe a full-lengther or something a little more longer. The two tracks clock in at over 11 minutes and, whilst there is no denying that DoD are very interesting and original, I can't really form an opinion of the band. What I do know is that Diego Sendra should not give up on this project, all his hard work has paid off. It took a few plays put it has grown on me, watch this space!
Band: Daylight Dies
Album: Dismantling Devotion (Candlelight Records)
Year: 2006
Website: http://www.daylightdies.com
Rating: 7.5/10
Going strong since 1996, it wasn't until 2003 when Daylight Dies finally got around to putting out their debut, which although I've never heard, have been assured through many sources of its quality.
Dismantling Devotion is their big sophomore show horse, so tightly put together it has secured them the coveted spot of opening the two final Emperor shows in the United States. So does the hype live it up? Yeah, I guess. Dismantling Devotion is a tight genre offering that is equal parts Opeth and early Dark Tranquility with some crazy heavy Marduk stylings going on to give it that head splitting backbone. It's a big blender wheel piecing together influences that run the entire length of doom and gloom, melancholic and melodic "goth-but-not-really" chivalry.
I would've sworn this band was from Scandinavia had I not noticed the USA tag on the press release. If I were Ishahn I would've gone with Nachtmystium or Leviathan. Ryan Bartek
Band: Daynight
Album: Moment of your Time Promo
Year: 2002
Website: http://www.metalprovider.com/daynight
Rating: 6.5/10
The most important thing for a band just starting out is to have a main idea, a rock solid foundation if you like, and Daynight do have that.
For those who do not yet know it, DayNight is a heavy metal band from southern Sweden that practice the art of metal like it was done in the eighties, classic heavy metal / heavy rock.
The cover letter with this CD stated that everything was done by amateurs during a couple of days, and to be honest is quite good, it just needs tightening up if you know what I mean which will come with experience and future releases.
Personally some of you listening to this will feel the keyboards are far too up front, but I feel that adds to the character of Daynight. Another thing I've noticed is the clear lead vocals are backed by a quiet death metal grunt, and feel that if this grunt was brought up in line with the clean vocals (sort of Amorphis style) would add an excellent touch.
To sum it all up…. A good start in which they need to build from, and gain invaluable experience playing live etc, and Daynight will become something to stand up and take notice of.
Band: Dead to Fall
Album: The Phoenix Throne (Victory Records)
Year: 2005
Website: http://www.deadtofall.com
Rating: 4/10
While the band's last album, "Villainy And Virtue", gave off a starkly noticeable deathcore impression, the band's third album, "The Phoenix Throne", Dead To Fall has returned to their previous stance, which is more of a hardcore brush with metal than that of many bands termed with the now-slanderous metalcore moniker.
Production-wise, "TPT" is stuffy, with the entire mix sounding as if it were filtered through a pillow before heading off to be mastered. In contrast to the last record's punchy, in-your-face mix, this engineering approach causes the band to sound more restrained and much less dynamic. In many instances, it sounds like Dead To Fall is simply going through the motions, offering warmed over As I Lay Dying riffing with a brusque, yet non-threatening vocal delivery courtesy of Jon Hunt. With the muffled tones, snuffing out half of the rhythm section at any given time, the music is somewhat less enjoyable than the band's previous offerings. Strangely, although the bass, kick drums, cymbals and vocals are often smothered, the guitar sound is much more pronounced, especially during the melody lines. In combination with these factors, there's noting that really excites the listener the way a really great record should. At this point, the style Dead To Fall emphasizes is growing fairly tiresome. When considering that there is a massive glut of artists now treading this path, it is required that bands do more to stand out from the pack and unfortunately, such is not the case on this album.
Although the completely killer presentation of the CD leads one to believe that they're in for something really special, the final analysis here uncovers bland, impotent metalcore such of the type that is due for extinction. Uninspiring and unexpectedly lackluster, "The Phoenix Throne" is one that's only worth looking into if you're overly zealous for a particularly bland rendition of an exceedingly tired style of heavy metal. Review by Erin Fox
Band: Deadbird
Album: The Head and the Heart (Earache)
Year: 2005
Website: http://www.deadbird.net
Rating: 8/10
2005 seems to me to have been the year of doom. About time this genre really started to catch up with a wider audience.
Deadbird are the latest in a long line of emerging killers revitalizing the doom world. Their sound is like a more advanced theory 90's Neurosis integrated with a deep resonating ultra-hard rock ala Crowbar. The vocals are growling, low-end bellows. There are plenty of little dissonant breaks that lead into all sorts of weird areas. Sometimes there are some melodic metalcore guitars that rise from underneath, but in a way its really more an abstraction of Iron Maiden in the long run. Deadbird should also please fans of High On Fire. Stylistically it's a similar method of guitar work, although more stripped down.
The production is thumping and sounds like a battle is being raged with hundreds of cannons a few miles away. Another excellent disc sure to make to ten lists across the board. Review by Ryan Bartek
Band: Deadcell
Album: s/t (Rockworks Productions)
Year: 2003
Website: http://www.deadcell.co.uk
Rating: 6.5/10
Three tracks of catchy modern rock with driving beats and dynamic hooks.
Deadcell are definitely better at the heavy stuff than the mellower stuff but what ultimately lets the band down is the production of this EP, it's sounds very "echoey" and at times it sounds like the instruments are all fighting to get to the front. Despite that, the four-piece from the UK are a breath of fresh air and put some thought and interesting ideas into their songs, but with just the three tracks, I couldn't really get a good enough picture of what the band are like.
Hopefully there will be an album soon with better production. With what I've heard on this EP (available from Rockworks Prod. for $6.50) the band talented enough and have some interesting ideas, and with the right help they should go somewhere.
Band: Deadpad
Album: Counterculture (Independent Release)
Year: 2005
Website: http://www.deadpad.com
Rating: 7/10
Deadpad plays an interesting mix of musical styles on their self-released EP, "Counterculture". The first track "Rat Race" will lead listeners to believe this is merely another electronic, industrial, Goth band due to the videotronic and cyber beat that graces the song's beginning. Vocalists/guitarist, Colm Scott-Baird's vocals are aggressive, even sounding a bit like Susperia's vocalist in places. The band's bio mentions their bassist, John Cook as also contributing vocals, so I'm not sure who is doing what, but there is an interesting combination of vocal styles. One of the vocalists sounds damn similar to Serj from System of a Down. The second track "Far from you" has an unquestionable System of a Down influence, with the vocals being held longer (like Serj) and a near Nu metal, bass-heavy groove. The synthetic effects lend the album a futuristic atmosphere attempted by few Nu Metal bands.
"Counterculture" has all the elements of an album primed to break into the mainstream; a warm, thick production that doesn't focus entirely on one aspect, golden vocals with a sound people are familiar with and fully embrace, memorable lyrics, and beats that are perfect for the Goth club circuit. This group has a lot going for them. A much larger audience should hear the next album. Review by Darren Cowan
Band: Death Du Joir
Album: Fragments of Perdition (Golden Lake Productions)
Year: 2004
Website: http://www.deathdujour.net
Rating: 7.5/10
"Fragments of Perdition" opens with twisted carnival music, which explodes into grinding, death metal chaos. This opening track, "Grace by Chalice of Angers" features complex stop-n-start rhythms that never really seem to stop. The length of the music's pause is akin to the amount of time it takes for a drummer's foot to release a bass pedal before beginning the next round of skin pummeling. The rest of the album is a showcase of complex, yet brutal, tempo changes. "Embittering Cicatricies" is a track that really shines due to its chaotic nature.
Some bands are great at creating complex, technical death metal, but forget to throw in a few memorable riffs. Death Du Jour is not one of those bands. "Fragments..." features several moments in each song where the band puts away their speed and hard-to-follow rhythms in favor of catchy riffing. The album's title track features excellent high note, tremolo picking and harmonic squeals, which is sure to make an aural imprint into the listeners mind; much like Cannibal Corpse's "The Bleeding" did to countless psychopathic minds around the world. The alternating palm-muted picking and violent string-bashing rhythm abuse on "Harlot Deliverance" are equally memorable.
Finland has become such a hot bed for heavy metal that if a certain style is popular in another part of the world, a scene will pop up in Finland to emulate that style. Death Du Jour has brought the legacy of brutal death and grind, first mastered by English and American bands, to Finland with noticeable results. Review by Darren Cowan
Band: Death Mechanism
Album: Necrotechnology (Independent Release)
Year: 2005
Website: http://www.deathmechanism.altervista.org
Rating: 5/10
Being the second demo for Italian's Death Mechanism, "Necrotechnology" serves as a decent example of the pummeling thrash that this group is capable of. Although there's not much to be said about the production quality, you can still garner a decent comprehension of what this group's all about. As the band thrashes away with a similar type of intensity as "Flag Of Hate" era Kreator on the record's title track, you'll be reminded of the days when extreme metal was still in it's infancy. Death Mechanism pull this approach off well, offering plenty of gnashing riffs, blasting double kick powered rhythms and blistering solos.
Elsewhere, War Mechanism (uh, maybe a bit hung up on the term "mechanism"), cruises along at mach speed, as Death Mechanism do a good job of merging Germanic thrash metal with the approach used on the speedier cuts on Slayer's "Hell Awaits" album. During "Unknown Pathology" a touch of Morbid Angel pokes its way into the warfare as well, but the vox remain in the vein of Ron Royce and Mille.
With that said, only the most underground dwelling thrashers are going to have much interest in tracking down this record, but it does serve to illustrate what this band would be capable of if they were blessed with a budget for a more proper recording. Review by Erin Fox
Band: Death SS
Album: The Seventh Seal (Regain Records)
Year: 2006
Website: http://www.deathss.com
Rating: 7/10
I was a bit surprised by the name, but apparently it stands for "In Death of Steve Sylvester" and they've purportedly been around in one form or another since 1977.
They label themselves as Horror Metal, but I would say it's more of a Gothic Glam style with Industrial elements. Think along the lines of Rob Zombie in particular, and to a certain degree Marilyn Manson. The whole is particularly catchy, especially lyrically with some great sing along moments that will stick in your head. Vocally it sounds very similar to Mr. Lordi.
The whole thing has got a very melancholic sound to it, so if you're into the Catchy/Atmospheric/Gothic stuff, and enjoy a very modern and heavy riff driven style of Metal, then I would consider checking them out.
Band: Deathstars
Album: Termination Bliss (Nuclear Blast)
Year: 2006 (Release date: 27.01.06)
Website: http://www.deathstars.net
Rating: 8/10
For those not familiar with the Deathstars, they are a mix of gothic, industrial, death and black metal. Try imagining a more poppy Rammestein or Early Marilyn Manson brought up on European death metal. Having formed from the former members of acts such as Dissection, Ophthalamia and Swordmaster, the band brings that Scandinavian melodic death sound together with synths and samples.
Termination Bliss is the bands second album following 2003's debut release "SYNTHETIC GENERATION". Opening track "Tongues" has a solid riff combined with a catchy chorus and some nice lyrics delivered brilliantly by Front man "Whiplasher" who has a great talent switching from clean vocals, to death growls, gothic singing and low grunts.
Another star of this album is the production "Termination Bliss" was produced by Nightmare Industries in Black Syndicate Studios and mixed by Stefan Glaumann (Rammstein, Clawfinger etc.) at Toytown Studios which gives the album a real atmosphere reminiscent of black metal.
Other standout tracks are the awesome "Blitzkrieg" and "The Last Ammunition". In all it's a great album and the Deathstars could be as big in the rest of Europe if not the world as they are in Sweden, it all depends on whether they get the break. Joe Freeman
Band: Deathwitch
Album: Violence Blasphemy Sodomy (Wicked World)
Year: 2003 (Release Date: 19.01.04)
Website: http://www.eternaldark.com/deathwitch
Rating: 9/10
To put it simply, Deathwitch don't give a fuck what people think, if they offend people then they are going to carry on regardless.
"Violence Blasphemy Sodomy" is the bands sixth studio album and still it doesn't follow any trends, 14 tracks of raw and primitive death metal. Think back to a time when Autopsy and Massacre ruled and then you can get a picture of what Deathwitch are about, they've been around for about a decade now so you should of at least heard about the band if not heard one or two of their songs.
Deathwitch are by no means the most technical band on the planet, but what they lack in technicality they make up for in heaviness, sludgy sickfest using the most basic Metal blueprint; grim riffs, tribal battery and an undisguised contempt for the fucking losers of mankind. To sum it all up, "Violence Blasphemy Sodomy" is an amazing, enjoyable mid-fast paced death metal album, heavy yet primitive riffs, brutal drum work and harsh yet decipherable vocals. For fans of 80's death metal, this is a great addition to your collection.
Band: Debodified
Album: Utopia in the Eyes of a Beast (Comatose Music)
Year: 2003
Website: http://www.debodified.com
Rating: 8.5/10
Powerful, technical guitars, crushing blast-beats, lightning double bass drum, deep and guttural vocal assault and war inspired lyrics is what you can expect from the debut effort of North Carolina's Debodified
This is going to be a great year for the band. They have this album under their belt and playing at the Maryland Deathfest amongst the likes of Suffocation, Aborted and Devourment along with 32 other bands. Debodified already stand out from the mediocre gore/death metal bands and, with the right promotion, I feel they are destined for bigger things. Only time will tell.
Not the most original CD I've ever heard but for me, it's the best death/gore album I've heard so far this year.
Band: Debris Inc.
Album: Debris Inc. (Rise Above Records)
Year: 2005
Website: http://www.debrisinc.com
Rating: 7.5/10
WOW! Dave Chandler from St. Vitus and Trouble bassist, Ron Holzner, this had got to be good!
Also making an appearance, includes Barry Stern (Trouble), drummer Jimmy Bower (Eyehategod, Down and Crowbar) and Greg Rogers (Goatsnake and The Obsessed). To be honest, I was expecting a slab of St. Vitus fused Doom, and boy, how wrong I was. You do get a couple of classic doomy tracks in "The Old Man and His Bong" and "Pain", but the majority is speedy, fuzzy almost punk/hardcore like, which at first I thought sucked. After a few listens, the groove grew on me and I now find it a pretty enjoyable listen.
Its probably best label as a kind of Doom Punk. Simple production and fairly primitive in general which works well, but if you're expecting another St. Vitus or Trouble, you'll be in for a shock.
Band: December
Album: Praying Hoping Nothing (Earache)
Year: 2003
Website: http://www.december1.com
Rating: 10/10
After the success of last year's "The Lament Configuration", Earache have decided to re-release "Praying Hoping Nothing" which was originally release on Negative Attention Records back in 1998 and was previously not available outside the U.S.
I remember going to see December a few months ago and I was totally blown away (you can read it in the live section!). Not only are they technically brilliant, they create some franticly fast beats, lightning-fast stop-start dynamics and some savage, heavy, heavy grinding metal riffs. The music is so complex, there is so much to listen too you simply cannot take it all in on your first listen.
Unlike many bands in the noise-core scene that I've heard, December can maintain a high level of intensity yet still create an interesting listen without it becoming to tedious or overpowering. I must also mention that this release contains four bonus tracks, Skunk Anansie's "Selling Jesus", Death Angel's "Seemingly Endless Time", "Ace of Spades" by Motorhead and a hidden track right at the end. I've been trying to find faults with this but I simply can't say anything bad about it, 10/10 easily.
Band: Decontrol
Album: The Final War (Hardcore Holocaust)
Year: 2004
Website: http://members.tripod.com/~crashattack/decontrol.html
Rating: 6.5/10
Just as their label name implies, Decontrol is one hefty slab of hardcore punk.
This is basic 2 or 3 riff stuff, distorted as possible and raw as it comes. Stands out like a blade of grass amongst a Kenyan plateau. Tight but uninventive, although that probably isn't the main intent anyway. Review by Ryan Bartek
Band: Defenestration
Album: For Us It Ends When We Drown (Rising Records)
Year: 2004
Website: http://www.defen.co.uk
Rating: 8/10
It's been a while since I last heard these Brit Noise-mongers, but I remember then being a little sloppy.
"For Us It Ends When We Drown" is the bands first album on the new Rising Records label, and showcases a much more mature band. They've tightened things up and are generally more pleasing to listen to. Musically it's more technical, combining heavy chugging passages with plenty of melody with touches of Iron Maiden here and there.
Gen Tasker's switching from guttural growls to a soft, clean style also sound better than ever. Defenestration have never sounded so good, let's hope this is a sign of things to come!
Band: Defile
Album: Defile Demo
Year: 2002
Website: http://www.defile.cc
Rating: 8/10
DEFILE have sent me this 4 piece demo which has left me very happy. The tracks consist crunching aggressive guitar riffs, a mixture of heavy and lighting fast drums, heavy in rhythm bass parts and brutal vocals, and are impressive to say the least, especially for such a young band. There are a couple of other reviews on their site which say that they are for the "future", but I have to say that they are ready now. It sounds they have been doing this for years and are very competent and professional (they're only 15 remember) for there age. I must also must comment on the vocals, I really like how brutal the vocals are and still be able to understand what he's saying unlike many Death Metal Bands today.
A very distinct style, which must be hard at that age without being heavily influenced by certain bands. There are hints of Slayer, Sepultura & Morbid Angel, but not to much too say that its a blatant rip-off . Move over Decapitated, DEFILE are the new young guns!
Can I have a copy of your first album!!!
Band: Defleshed
Album: Reclaim the Beat (Regain Records)
Year: 2005
Website: http://www.defleshed.de
Rating: 6.5/10
"Reclaim the Beat" is the fifth full length studio album from these German Death-Thrashers.
The album gets of to a great start, with its fast, thrash based songs with raspy death like vocals, but 36 minutes of practically the same stuff throughout gets a bit tedious to listen to. The drums could do with beefing up as they sound pretty weak, and they could do with throwing in a few tempo changes here and there just to keep things a little more interesting.
There are also no real leads or solo's, rather they opt for filling the songs with technically fast and catchy riffs, that tend to blend together as the album progresses. Defleshed absolutely blast through these 12 songs (although there are 13 tracks listed on the sleeve?!?!) at breakneck speeds, which at first sounds amazing, and a dose of this now and then would be great, but if left to play over and over again the 36 minutes soon gets lacklustre.
Band: Degree Absolute
Album: Degree Absolute (Sensory Records)
Year: 2006
Website: http://www.degreeabsolute.com
Rating: 7/10
Degree Absolute are a US Prog/Metal band comprising Aaron Bell on guitar & vocals, Dave Lindeman on bass, and Doug Beary on drums. Formed back in 1999 by Aaron Bell, its taken a good few years for their debut to see the light of day.
There are Dream Theater, Fates Warning and Queensryche reference points throughout, but Degree Absolute really have their own thing going on which unfortunately, failed to really captivate me. The progsters out there will probably really take to this, but I found myself wondering off on a few occasions. The heavier, technical numbers got my attention, it was the quieter, more complex/intricate passages that I found myself getting lost. Maybe I just didn't get it!
Although they couldn't hold my attention for the whole of the album, what I did like about Degree Absolute though, is how they never sacrifice melody to show off their technical wizardry, which though, is evident throughout. If your heavily into Prog, and/or especially like the bands I mentioned earlier, this could be one for you.
Band: Deinonychus
Album: Mournument (My Kingdom Music)
Year: 2003
Website: http://www.doom-metal.com/deinonychus
Rating: 8.5/10
Deinonychus have progressed over the years from a black metal outfit in the early 90's into a more Dark/Blackened Doom style nowadays, similar to early Katatonia and Paradise Lost.
One of the things that struck me first was the very "tortured" sounding vocals courtesy of Marco Kahren, the guy really does sound in pain when singing and although I would easily recommend this to any doom fan, I would say that they would need to listen to this first, as the vocals are very extreme and may be difficult to take. I really liked the harshness of the vocals as they really build up the atmosphere, along with the haunting keyboard work, which is laid excellently in the background.
You never really get bored of "Mournument" as each track is built up of a combination of slow tempo sections and more aggressive passages which, overall creates a very dark and depressing atmospheric album hat, unfortunately as I said before isn't going to everyone's liking due to the rather extreme vocals.
Band: Demoncleener
Album: Debut Demo
Year: 2002
Website: http://www.demoncleener.com
Rating: 8.5/10
Demoncleener is a hard-hitting band based out of La Crosse, WI. The band was formed in the summer of 2001 and has taken audiences by surprise with their technical music and intense stage show.
Playing many live gigs, there highlights include opening for such acts as LA Guns and Primer55, and playing at this years Milwaukee Metal Fest, I know you will all be hearing about them soon.
Listening to this immediately took me back to the "Cowboys from Hell" and "Vulgar Display of Power" Pantera era, but with a lot more present day influences, Disturbed for example.
It's now surely a matter of time before they get signed up!
Band: Demonoid
Album: Riders of the Apocalypse (Nuclear Blast)
Year: 2004
Website: http://www.nuclearblast.de/band_showa.php?action=bio&artist=687
Rating: 9.5/10
Although the name Demoniod may be new to many of you, the band members certainly won't be.
Featuring Christofer Johnsson and Niemann brothers, Kristian and Johan, all of Therion fame and ex-Soilwork and current Chimaira sticksman Rickard Evensand, Demonoid are not symphonic like Therion, in fact they are about as far from that as possible. The band have strived to create a very fresh and challenging blend of old school death metal and the violent and aggressive elements of early thrash. There are a couple of slower moments, but for the most of the album, it's a technical and speedy outing in which you'll be guaranteed to be pummeled by Christofer's guttural rantings and the melodic yet aggressive riffing.
If your into death or thrash, that and the sheer originality and intensity of the album is enough to warrant a purchase. I knew there was some great talent on here, but I never imagined it would be this good or exciting. Hopefully, Demonoid won't be just a one album wonder.
Band: Desecration
Album: Process of Decay (Copro Records)
Year: 2005
Website: http://www.desecration.co.uk
Rating: 9/10
The UK's highly rated Death Metal act Desecration are back with their sixth studio album and the follow up to 2002's "Pathway To Deviance"
For some reason, Desecration have never really gained the respect that they fully deserve, this is another fine example, and proof that they can stand against the finest of Death Metal bands. Combining brutal Death Metal with some catchy, almost groovy passages, amazing fret work and some lightning quick double bass drumming, "Process of Decay" had so much to offer fans of both brutal, and the more technical side of Death Metal.
They've been around for over a decade now, and have performed alongside the likes of Cannibal Corpse, Vader, Deicide and Morbid Angel. If they carry on as they are, and keep churning out quality albums like this, I can see them being around for a while to come yet.
Band: Desire
Album: Lucus Horrendus (The Night Cries of a Sullen Soul)
Year: 2003
Website: http://thecrowshelter-desire.planetaclix.pt
Rating: 10/10
Portugal's Desire, consisting of Tear, Mist, Tempest, Ashes and Flame create a very atmospheric style of gothic metal with extreme death, twisted, evil vocals occasionally backed up on a couple of tracks by an angelic female voice. The songs are very long (ranging from 4 to 13 minutes) and very slow, almost doomy and never once getting repetitive or boring.
"Locus Horrendus..." is a very complex and exciting album that is based on a tragedy, pain and suffering, a concept that is very interesting to listen to, you are taken on a rollercoaster of a ride through anger, sadness, depression and despair.
Desire do use a lot of keys and synths, (a grand piano even makes an appearance) which is something I'm not that keen on, but I do have to admit I couldn't get enough of this. Although there is a lot of keyboards, they don't drive the music, but sits back nicely and lets the guitars and vocals lead. Desire are an excellent band, with lots of new and original ideas, labels take note!!!.
Band: Destinity
Album: In Excelsis Dementia (Adipocere Records)
Year: 2004
Website: http://destinity666.free.fr
Rating: 6/10
After listening to last years "Under the Smell of Chaos", I really thought this had to be a different band.
Their last album was a true Symphonic Black Metal gem, this however is a bit different. Now, there is a heavy Death Metal influence and is definitely less symphonic. The keyboards are also less present. Whereas "Under the Smell of Chaos" showcased a band who knew what they wanted to achieve, "In Excelsis Dementia" doesn't even compare. This sounds hectic with too much going on at the same time. Some mobile phone sounding beeps and some dance beats even make an appearance to make it sound even more chaotic.
With everything I heard on "Under the Smell of Chaos", I was really dissapointed with this.
Band: Destinity
Album: Under the Smell of Chaos (Adipocere Records)
Year: 2003
Website: http://destinity666.free.fr
Rating: 8.75/10
Destiny also play melodic/symphonic black metal but with a much more modern almost "groovy" feel to it. Along with the screaming black vocals, fast drum-beats combined with majestic sounds of keyboards, creates the really astonishing sound of Destinity.
All 11 tracks have something new to offer and the bonus live video shows how good Destinity are live. They have shared the stage with the likes of Rotting Christ, Anorexia Nervosa, Impiety, Abigail, Kemet, Benighted giving the band a strong live presence.
Another french band to be put in the "listen to again" pile. Great stuff!
Band: Destiny
Album: The Tracy Chapter (Life Force Records)
Year: 2004
Website: http://www.destinyonair.com
Rating: 7/10
Emerging from Denmark (or so I believe), "The Tracy Chapter" is the sophomore release from Destiny (yah, I know it sounds like a pop princess but trust me, it's far more catastrophic than you'd believe).
This is ultra-tight, fists-a-flyin', kickboxing in the pit hardcore centered around devastating breakdowns and mid-tempo killers. Nothing too out of hand as far as originality goes but far above average in their presentation.
If you dig Heaven Shall Burn, The Judas Cradle or Unearth than Destiny is your shit. Review by Ryan Bartek
Band: Detonation
Album: Portals to Uphobia (Osmose Productions)
Year: 2005
Website: http://www.detonation.nl
Rating: 8/10
Dutch metallers Detonation have had rumours of greatness on the melodic death metal scene for some time now, since there first demos and mini album "Lost Euphoria", to their first full length album “An Epic Defiance” they signed with French label Osmose Productions this is the first release and it's great stuff. The melodic death metal influences are there but now there is more to the sound, with some progression and just classic metal riffs going on this is a solid release. They guys also tour hard and have made several trips to the UK where they are building up a good following.
The song writing is excellent, with powerful and memorable riffs, and strong melodies and structure and they are obviously talented musicians all round. The band described it as "wanting to make an old school metal album but with way more melody" and in that they have succeeded. The lyrics also seem to have matured since their early releases On "Portals to Uphobia", the general topic behind the lyrics are about making choices in life, especially the wrong ones in this case. The word Uphobia reflects the words Euphoria, Utopia and Phobia combined to display the main key words of the album, while the portals reflect the different choices we can make in our lives.
If you yearn for old school thrash, monster riffs and the glory days of melodic death metal then Detonation really are the band for you! Review by Joe Freeman
Band: Deviated Instinct
Album: Welcome to the Orgy (Peaceville)
Year: 2006
Website: http://www.deviated-instinct.co.uk
Rating: 7.5/10
From one of the very first bands that were signed to the Peaceville label comes three Re-Released and Remastered albums, all in one neat package.
Like myself, there will probably be a few of you unfamiliar with the short career of these UK Crustcore Pioneers, so what better way to get acquainted with them than this. What you actually get is their first three releases, the "Welcome to the Orgy 7"" and the albums "Rock 'n' Roll Conformity" and "Guttural Breath". Things start off with a pretty simple Crust/Punk style, and as the album progresses through their career, you will notice them swinging a little more towards a Metal, and a more technical and groovier style. All of this comes in a Digi-Pack with new artwork, lyrics and linear notes, as well as the original artwork for each release.
You can definitely see the bands progression, but I found "Welcome to the Orgy" starts off great, and then just dies off in terms of aggression and rawness towards the end. Nonetheless it's a history lesson and a nice little package that is recommended for all fans of Punk/Crust in general.
Band: Devilinside
Album: Volume One (Century Media)
Year: 2004
Website: http://www.devilinsidemafia.com
Rating: 7.5/10
Now, Metalcore usually isn't my sort of thing, but I have to admit that I could, and I did play this through a few times without getting bored.
"Volume One" is a seriously pissed off record, combining the better elements of Metalcore with the anger and aggression of such bands as Chimaira and Slipknot, and citing such bands as Machine Head, Sepultura and Entombed (all of which you can hear) with minimal melodic, quieter parts. It's not an easy listen though, as you do tend to think that nearly 50 minutes and 23 heavy tracks and aggression may be too much to take in, in one listen. There's nothing you won't have heard before though, but for fans of the fore mentioned bands, may want to check out Devilinside for a change to the usual listen.
The fiercely aggressive "Volume One" is a good start for the band, and with a bit more of their own identity and ideas, Devilinside could go far.
Band: Devildriver
Album: The Fury of Our Makers Hand (Roadrunner Records)
Year: 2005
Website: http://www.devildriver.com
Rating: 9/10
Are you shitting me? A legitimately killer album from Dez Fafara and Roadrunner simultaneously?
Yep, witness ex-Coal Chamber front man Dez's crowning triumph. Jumping into a montage of influences no doubt culminated from the current metal gods of the day (Lamb of God, Unearth, etc), we get a highly infectious and well executed hybrid of styles.
Thank Phil Anselmo for making this guy listen to Necrophagia, Immortal and Wurdulak every day of that Superjoint Ritual tour. Review by Ryan Bartek
Band: Devil to Pay
Album: Thirty Pieces of Silver (Benchmark Records)
Year: 2004
Website: http://www.deviltopay.net
Rating: 8/10
Devil to Pay began in early 2002 and rose quickly to the top of the Indianapolis heavy rock scene. At the conclusion of the 2003 Battle of the Bands in August, the band had 1st place wrapped up and a $10,000 grand prize in their pockets. Now, with the release of their debut cd, "Thirty Pieces of Silver" on Benchmark Records, those of you who are into Stoner Rock, especially bands like Kyuss, are going to be in for a real treat.
Firstly vocalist/guitarist Steve Janiak belts them out reminiscent of the great John Garcia, and secondly, the songs are so damn infectious, you'll have them in your head for days. There's a steady groove throughout the album, and certainly no shortage of fine riffs, making it a great album to chill out to. There's nothing groundbreaking mind you, but in the right mood "Thirty Pieces of Silver" is a damn fine album.
Devil to Pay know what they want to achieve, and "Thirty Pieces of Silver" is a great way to start. There's one or two minor gripes I have with the album which I think will be ironed out with time. Looking forward to hearing more about the band.
Band: Devil's Whorehouse
Album: Revelation Unorthodox (The End Records)
Year: 2004
Website: http://www.devilswhorehouse.com
Rating: 7.5/10
Revelation Unorthodox, the second offering from Devils Whorehouse, we find the band moving away from the Misfits stylings of "The Howling" and moving directly into Danzig territory circa Danzig II: Lucifuge on tracks like "Blood Angels Recital", "Bondage Goddess", and "Funeral Dream".
The great thing about this release is that it has songwriting and production that sounds much more dark and evil than anything Mr. Danzig has released in the past five years at least. Obviously the evil influence stems from members B. War and Morgan of Marduk, who certainly have a great deal of experience with all subjects related to the blackness. "Pentagram Murderer" is a blasting blackened punk affair that just rips your head right off with its aggression and energy. "Revelation Unorthodox", the title track sounds similar to Michael Graves era Misfits and could have been on the Famous Monsters album. Check out the truly killer version of "The Raven" and you won't come away disappointed! "Swallow Your Soul" is the blackest of the tracks and is probably the closest thing here to Marduk in terms of songwriting, it simply has Horror Rock vocals instead of Black screams.
The band's official biography states "Devils Whorehouse doesn't claim to be the most original band but that isn't the purpose of this band Death rock, Horror rock, call it what you like. Creating music for the dark at heart!!!", and I think that the description sums it up superbly. Any fan of Danzig, Samhain or The Misfits should own a copy of this project. Review by Star (contact)
Band: Devlin
Album: Grand Death Opening (Napalm Records)
Year: 2002
Website: http://www.devlinworld.com
Rating: 6/10
Standard Gothic record with harsh male and clean female vocals which, on first listen is quite enjoyable but won't keep your attention for long.
This is a side project of Marcus Ehlin of Siebenburgen along with Lexi on vocals. Heavy at times but also very melodic but needs that something extra which separates the leaders from the followers.
The actual songs aren't bad, and the female vocals are above average and this is the reason why we have given it a 6, but there isn't anything we haven't heard before.
Band: Dew-Scented
Album: Issue VI (Nuclear Blast)
Year: 2005
Website: http://www.dew-scented.de
Rating: 9/10
Hmm, they sound a little different but I can't quite place my finger on it.
The German thrashers are back with the follow-up to "Impact", a decent enough album that unfortunately weakened towards the end. "Issue VI" starts the way it finishes, fast, tight, in-your-face and extreme. They have definately evolved since I last heard them, and definately for the better. 12 tracks, 45 minutes of pure intensity!
As soon as you press play, that is it, your off on a kneck-breaking roller coaster ride of technicality, complexity and brutality from start to finish. "Issue VI" is one of the better Thrash albums I have heard for a while now, its bound to be amongst some award winners at the end of the year.
Band: Dew-Scented
Album: Impact (Nuclear Blast)
Year: 2003 (Release Date: 08.09.03)
Website: http://www.dew-scented.de
Rating: 8/10
As soon as the album starts, you know you are going to get something good, something very good as a matter of fact. After the initial shock of them sounding exactly like The Haunted, you soon realize the complexity of the album and that they are so much more than clones.
11 tracks of technical death/thrash in the vein of Slayer, The Haunted, At the Gates and, at times later day Death. Even front man Leif Jensen at times even sounds like the Death mastermind Chuck Schuldiner. "Impact" is the bands fifth studio album and for me is their best work by far. With the stable line-up over the last few years, Dew Scented have impressed me with this. Catchy songs, powerful drumming, dual technical guitar riffs and wrecking bass lines should be enough for fans of thrash and technical death metal.
The album gets off to a flying start but unfortunately gets a bit weak towards the end, other than that, this is the bands best work to date.
Band: Dezperadoz
Album: The Legend and the Truth (AFM Records)
Year: 2006
Website: http://www.dezperadoz.com
Rating: 9/10
Fronted by Alex Craft, known for his work with the Onkel Tom/Angelripper, Dezperadoz are an amazing band.
"The Legend and the Truth" is not only beautifully crafted musically, the actual concept of the album is sheer brilliance. The band explore Country Music fused with Metal to create a very Wild Western sounding album telling the story of the legendary Wyatt Earp. The album explores his life and experiences, which really paints a picture of what might have happened 125 years ago. The Heavy riffs and the western sounding guitar and keys sound incredible, definitely one of the most interesting and original idea's I've heard in a while. I won't go any further into the story because I will ruin it, but trust me when I say its a remarkable album.
"The Legend and the Truth" is not just an album, it's an adventure! Totally gripping and unbelievably compelling!
Band: Diabolic
Album: Infinity Through Purification (Century Media)
Year: 2003
Website: http://www.diabolicblastmasters.com
Rating: 7.5/10
Fans of technical death metal read on!
Although "Infinity Beyond Purification" is heavy and technical as hell, you can't help but feel there is something missing and I can't quite place my finger on it. The album consists mainly old school riffing, brutal double-bass drumming and low guttural vocals. There are plenty of tempo changes to keep things interesting and some great heavy slower parts which make this a quite decent listen, not the most original, but you can never have enough death metal in your collection.
At times the album get a little repetitive and the drums could do with beefing up a bit, but it's still worth checking out if your into Morbid Angel, Monstrosity or Angel Corpse.
Band: Diabolist
Album: Strength Needs No Excuse (Primitive Tribe Records)
Year: 2004
Website: ?
Rating: 3/10
15 tracks from Diabolist, who seems to be one gentleman making the music himself. This is extremely underground stuff, very DIY, featuring liner notes written with a sharpie marker and old school cut and paste (with real paste) photos of main man Diabolist sporting a tan and dressed like he is ready to hit the beach.
Heavily influenced by Black Sabbath, these songs are executed in an amateur manner with some terrible tone, off key vocalizations, annoying drum machine noises that are downright silly and possibly the most awful production I have ever heard fill this crappy record. Some of the ideas expressed here have some merit, but the execution is so horrible it makes the music unlistenable. On a couple of songs here it sounds like Gene Simmons singing for Kyuss, but the tones are so terrible the songs remain unlistenable for the most part. Diabolist has some fair ideas but he would be better off finding some folks who have a bit more talent to help him execute those ideas.
If you enjoy listening to people learning to play instruments and write songs, you might find this to be a great record. Also this might be of note to those who will listen to anything, so long as it covers the topic of Satanism. This album also retains some sort of comedy value, so you might get some laughs over a pint or two. Some of this is really bad, some of it just sounds that way. Review by Star (Contact)
Band: Dickinson, Bruce
Album: Tyranny of Souls (Sanctuary Records)
Year: 2005
Website: http://www.screamforme.com
Rating: 10/10
The mighty Dicko is back with the follow up to 1998's "The Chemical Wedding". "Tyranny of Souls" is adorned with a 15th century depiction of hell by Hans Hemling and continues this theme to explore dark apocalyptic themes delving into science, theology and of course Bruce's love of flight.
A new Bruce, and indeed a Maiden release is a major event, and to say I was excited when "Tyranny of Souls" was announced is an understatement. As you can probably tell, I'm a massive Bruce Dickinson fan and seven years is far too long to have waited for a new Bruce solo album. A lot has happened though in those seven years, he reunited with Maiden and brought them back on track with not one, but two classic albums, 2000's "Brave New World" and 2003's "Dance of Death". Anyway, onto this album, I'm not going to go into detail and give you a breakdown of every song, because, well basically they're all amazing. One of the highlights, and the perfect choice of first single is "Abduction", a classic Sci-Fi based Dicko song!
Basically, there isn't a weak song on here, Bruce is on fine form throughout the album. One of the biggest surprises on here is the mellow, acoustic number, "Navigate the Seas of the Sun", I would even go as far as saying it is one of the best songs I have ever heard from Bruce, yes, it's that good. The only point against I can think of, is that it's is one of those albums that you have to let grow on you, there are a couple of songs that are instant classics, but you really have to listen to it a few times to really appreciate it fully. Masterpiece, simple as!
Band: Die Apokalyptischen Reiter
Album: Samurai (Nuclear Blast)
Year: 2004
Website: http://www.die-apokalyptischen-reiter.de
Rating: 9/10
Although I've heard good things about these Germans, I've never had chance to give them a listen up until now.
The first thing you'll notice when you listen to Samurai is the vast range of styles they use that on paper, didn't sound too appealing, there's everything from Thrash to Death, Black to Classical, Punk to Reggae and Pop to Electro, which works unbelievably well, even though its sung entirely in their native tongue. They also combine melody and aggression perfectly, to create an unique listening experience, which it really is, an experience. The album is so vast, with plenty going on which makes for an interesting listen, there is probably something on here for everyone.
It's quite difficult trying to describe DAR, so instead of me waffling on, I really recommend you go and check them out and try and listen to a few samples. It may not be to everyone's liking, but they should be heard by everyone, just to hear a band that are different and not afraid of trying and combining new ideas.
Band: Diecast
Album: Tearing Down Your Blue Skies (Century Media)
Year: 2004
Website: http://www.bhcdiecast.com
Rating: 7.5/10
It's been three years since "Day of Reckoning", the bands debut album which was released on the Now or Never label. Those three years has seen the band acquire a new vocalist and a steady progression in their intensely crafted sound.
Diecast have similarities to New Wave of American Heavy Metal titans Shadows Fall and Killswitch Engage and, whilst they have a little way to match them, "Tearing Down Your Blue Skies" has plenty on offer, and contains some really interesting stuff. What I found difficult with the album is the contrasting sides of the band throughout the album. One minute you've got full-on, chugging hardcore with bellowed vocals, and then things will change to a more melodic, almost Nu-Metal sounding with soft clean vocals, "Torn from Within" is prime example of this.
It's clear what Diecast want to achieve, but I really do think they would benefit greatly if they dropped the clean vocals. All-in-all, a decent album that will appeal to fans of Shadows Fall, Killswitch Engage and Chimaira, but unfortunately there are a few things that let it down.
Band: Dim the Lights
Album: Destroy Everything (Demo)
Year: 2005
Website: http://www.dimthelights.net
Rating: 8/10
Sometimes you get sent a demo and think wow what a find! Dim The Lights are a case in point. Although the band from central Pennsylvania have been around a few years, only recently has the line up solidified after a few changes and the band have recorded this demo.
Metalcore as we all know is flavour of the month and we are already inundated with cookie cooker bands. However hardcore and and metal have been mixing for a long time, check out the seminal speak English or Die by S.O.D, for evidence of this. I am happy to say that although Dim the Lights mix their styles they are far removed from the soulless cookie cutter bands that have sprung up in the wake of bands like Killswitch, Lamb of God, Chimera (bands who, in my opinion are truly great). Their unique blend of death metal, hardcore and gore grind breakdowns, with classic thrash of Slayer and Exodus, while at times heading off into softer than soft vocals really make you take notice. "Our music fits into pretty much any genre we feel like creating," said lead singer Damien. "It's all about having no boundaries."
Their is some awesome playing here all round the vocalist has a great range too as I mentioned before, there's also some nice touches in the production like the sample from the movie Con-Air of Steve Buscemi's character, serial killer Garland Green "One girl... I drove through three states wearing her head as a hat." The current lineup includes Damien on vocals, George on guitar, Dave also on guitar, Ryan on bass and Tim on drums. My only criticism is that I would like to hear more from the band to see if the variety of styles carries on over more songs as only 2 are available on this demo, other than that, great stuff. Dim The Lights are definitely one to watch. Review by Joe Freeman
Band: Dimmu Borgir
Album: Stormblast (Nuclear Blast)
Year: 2005
Website: http://www.dimmu-borgir.com
Rating: 9/10
Hailed by many as the bands best work when it was originally released back in 1996, Stormblast 2005 is not a remastered version, its a complete re-recording.
The band were never really happy with the original version (you can read Silenoz opinions in our interview!), so this re-release delivers a much more polished, powerful sound and a far superior display of technical ability. Along with two brand new tracks, "Sorgens Kammer - Del II" and "Avmaktslave", there will also be a free DVD featuring their full performance at 2004's Ozzfest. This Performance is apparently never going to be released other that with this album, so all-in-all "Stormblast" 2005 is a very nice package, and well worth investing in even if you have managed to get hold of the original.
With production courtesy of Peter Tägtgren, and session drums handled by non other than Hellhammer (Arcturus, Mayhem), everything is wraped up nicely which results in a huge sounding Symphonic/Melodic Black Metal Album. Whether or not die hard fans take to this remains to be seen.
Band: Dimmu Borgir
Album: Death Cult Armageddon (Nuclear Blast)
Year: 2003 (Release Date: 08.09.03)
Website: http://www.dimmu-borgir.com
Rating: 10/10
I can honestly say that the last time I properly listen to Dimmu Borgir was their re-release of "For All Tid" in 1997. There not really a band that I gave a second thought to so, when I received this about three weeks ago, I finally got the chance to listen to what I have or maybe haven't missed out on.
"Death Cult Armageddon" is the band's 5th studio album on Nuclear Blast and straight from the off your hit by a wall of melody, aggression and epic symphony, they even bring in a real orchestra to handle the string work, who quite literally do an amazing job. Guitarist Silenoz stated "DCA is considered our most epic, majestic, somber, evil and grimmest release to date, containing absolutely everything we're known for - the never-ending presence of atmosphere, diversity and variety! In other words, it's huge". I have to totally agree with that statement, there is everything that you could ever want and more on this album.
Silenoz and Galder's traditional riffs, awesome drum-work courtesy of Nick Barker, the evil vocal performance by Shagrath and Vortex, the atmospheric keyboards supplied by Mustis all rounded off by great production work are just some of the highlights of the album. There is just so much to listen to on here. Dimmu Borgir are, to put it simply, Leaders not Followers. To name a few of the best tracks would be impossible, Quite literally, a Masterpiece!
Band: Dio
Album: Master of the Moon (Steamhammer/SPV)
Year: 2004
Website: http://www.ronniejamesdio.com
Rating: 9/10
The main man himself is back and 2004 see's a new album, it's not "Holy Diver", but "Master of the Moon" contains some of his best work for a while now.
The follow-up to 2002's "Killing the Dragon" opens with the pacey "One More for the Road" and follows with mostly heavy, mid-paced chuggers (think Sabbath "Dehumanizer" era and you can't go far wrong!). You can hear a lot of his earlier work coming through on this album, hints of his work with Rainbow and Sabbath especially, the guy has been around for around 30 years now, and he still sounds as great as ever. Backing him up on here are Rudy Sarzo (Ozzy, Whitesnake, Quiet Riot) on Bass, Keyboardist Scott Warren, long time drummer Simon Wright (ex-AC/DC) and the return of guitarist Craig Goldy to the scene create the perfect style to fit Dio's instantly recognizable voice.
He'll probably never match the "Holy Diver" era, but if he churns out albums like this, who cares. With the tracks "The End of the World", "The Man Who Would be King" and the heavy "The Eyes" being a few of our favorite's here, "Master of the Moon" will no doubt be an instant hit with fans of Dio and all things epic, mark my words.
Band: Disbelief
Album: 66Sick (Nuclear Blast)
Year: 2005
Website: http://www.disbelief.de
Rating: 4.5/10
"66Sick" is the bands sixth studio album, their first on the mighty Nuclear Blast.
Apparently, they have gained several album of the months and excellent reviews in general for their previous releases, so I was quite intrigued to see what all the fuss was about. Well, its gets off to a bit of a slow start, heavy, familiar sounding stuff with heaved vocals. Its kind of Death orientated Nu-Metal, that doesn't really go anywhere.
There was a moment or two when things picked up a little, and actually became interesting, but for the majority it really did get repetitive. I even found myself just checking which track I was on, and whether it was stuck on repeat. A few more tempo changes and a bit more technicality would benefit them greatly, if you hate Nu-Metal, stay clear!
Band: Dismember
Album: Where Iron Crosses Grow (Candlelight Records)
Year: 2004
Website: http://www.dismember.se
Rating: 6/10
Dismember, back to their old tricks still jamming their classic style although by now it just feels tired.
Nothing really grabbed me about this particular release. The material is decent but Dismember is playing it safe, refusing to venture outside their established sound. On the plus side "Where Iron Crosses Grow" has cool Dan Seagrave artwork and a few standout tracks.
Still, most of it is run of the mill early 90's Swedish death metal. Review by Ryan Bartek
Band: Dissection
Album: Maha Kali (Escapi)
Year: 2004
Website: http://www.dissection.nu
Rating: 7.5/10
Armed with a brand new lineup, consisting of Nödtveidt, guitarist Set Teitan (Aborym, Bloodline), bassist Brice Leclercq (Nightrage) and percussionist Thomas Asklund (Dark Funeral, Infernal, Dawn), Dissection's mission is a self-proclaimed "Anti-Cosmic Metal of Death", fueled by the band's trademark powerful and melodic sound.
One new track and a cover of "Unhallowed" from the classic "Storm of the Light's Bane" is all you get on here, which is not much to go by when trying to get an idea of what the new Dissection are about. The new song "Maha Kali" has a very clean and polished sound (maybe too polished for some!) with Gothenburg influenced melodies reminiscent of In Flames.
Overall, the new song isn't bad, it just lacks the atmosphere and raw finish on previous releases. Not really enough to get an idea of what's ahead for the band, but looking forward to a full-length some time soon.
Band: Dissenter
Album: Contamination (Crash Music Inc.)
Year: 2004
Website: http://www.dissenter.prv.pl
Rating: 8/10
Poland has a great Death Metal scene, and in my opinion is one of the best and has been for a while now. This time, it's Dissenter's turn to impress me.
Brutal Old-School Death Metal is on the menu, and it's a must for fans of Morbid Angel and Vader. OK, I'll admit there's nothing that you won't have heard before, but this is one of those albums that is done properly and shows everyone what Death Metal is all about. Throughout the 40+ minutes, there is always something great going on, whether is the mass complex riffing, the amazing lightning speeds of drummer Mlody or when they decide to slow things down a bit, there really is something for everyone.
Not groundbreaking, but yet again it's a prime example of Polish Death Metal, and a reminder of why I like it so much. There will be a Polish Death Metal band that comes along soon that will fail to impress, and I can safely say that Dissenter isn't that one.
Band: Divine Empire
Album: Method of Execution (Century Media)
Year: 2005
Website: http://metalasylum.com/divine
Rating: 7/10
Straight from the word go, its obvious that Florida's Divine Empire have decided to do things differently this time round.
Whereas "Nostradamus" was a straightforward, but effective slab of Old School Death, "Method of Execution" is a lot more creative and experimental. Everything from European technical Death to Opeth-like classical Prog makes an appearance, with mixed results.
Its not that "Method of Execution" is a bad album, its just I couldn't get into it as much as I could their last. I'll admit, there is much more variety going on, but I think the hour long combination of Black, Death, Doom and Rock will maybe be bit too much for some people to take in.
Band: Divine Empire
Album: Nostradamus (Century Media)
Year: 2004 (Release Date: 26.01.04)
Website: http://metalasylum.com/divine
Rating: 8.5/10
We all know the Florida Death Metal giants such as Morbid Angel, Deicide, Cannibal Corpse, Death and Obituary, but there are plenty of lesser know acts that simply kick ass, and one of them is Divine Empire Empire.
If you like your Death Metal brutal, aggressive and powerful "Nostradamus" should be your first album this year. The vocals are rough as hell, but you can still hear what he's on about, the songwriting is quite interesting and not the usual gore, "I'm gonna hack you to bit's" death metal I listen to on a regular basis and there's the mid-fast pace drumming which backs things up nicely, they sit perfectly in the mix and the down tuned, chugging, crushing riffs rounds up a great way to start 2004.
Although it just clocks in at half an hour, It's great to hear an Old School Death metal band amongst all this modern technical stuff. No Frills, just a solid death metal release.
Band: Divinity Destroyed
Album: Eden in Ashes (Self-Released)
Year: 2004
Website: http://www.divinitydestroyed.com
Rating: 8.5/10
With their crazy blend of progressive rock, death and heavy metal, "Eden in Ashes" will no doubt divide critics and press.
Divinity Destroyed has the potential to be a very exciting band. There almost weird style is just amazing, upbeat, folky rhythms along with death growls and very 70's prog sounding clean vocals. There are also some great atmospheric keyboard work, which, along with many other things you don't notice first time around. They will no doubt get a few bad reviews from those who will find this too overcomplicated, but my respect goes to them for trying something new and original.
There is nothing more I can say about Divinity Destroyed other that they will not be to everyone's liking. "Eden in Ashes" is a deeply complex, intelligent and interesting listen that will and should be picked up by a select few (well, maybe not just a few) that will appreciate it.
Band: Dizeazed
Album: Dizeazed Demo
Year: 2002
Website: http://dizeazed_music.tripod.com
Rating: 3/10
I've heard quite a bit about all girl trio Dizeazed lately, and there "blacklight and extraordinary effect live gigs", Reading the newspaper cuttings and articles they sent, I have no doubt they are one of the hardest working bands I know with (350 mini-concerts) and winner of the NUVO/Guitar Center/MCA Records Demo Contest under their belt. All this in 1 year.
Dizeazed have a huge fan base with there own original music, which is truly un-catagorizable. This is the sort of CD that you should hear before I buy and, if you like it then you'll love it. The Nu-metal fans reading this will no doubt snap up their debut CD.
I'm not saying that this CD is terrible, because there is some interesting parts, its just a bit too weird for me (maybe I'm stuck in the past when it comes to music).
Band: Doctor Butcher
Album: Doctor Butcher (Black Lotus Records)
Year: 2005
Website: http://www.doctorbutcher.com
Rating: 7.5/10
If you are not a fan of the traditional brand of heavy metal spawned in the 80s, then you probably shouldn't read any further. Fans of this branch of metal probably do not need an introduction to Doctor Butcher, especially fans of Savatage. Doctor Butcher formed in the early 90s by Savatage members, John Olivia and Chris Caffery as a vehicle to express the darker side of Savatage, so in 1994 they let "Doctor Butcher" out of the cage.
Black Lotus Records mentioned this is the first time "Doctor Butcher" has seen the light in the U.S. Even if it received a European release, the cost to get that CD must have been high, and without the benefit of the internet, it would have been very elusive. Fans of the Caffery/Olivia circle will also want this disc for all the bonus features including the second disc of demo material. The demos contain a special appearance by Hal Patino on the bass. Some of you may recognize that name from the last King Diamond albums. Also included on the second disc is the brand new studio track "Inspector Highway", which was inspired by an old haunted highway in New Jersey. The guitar tone is very sharp on this track, and Caffery plays the ripping leads one would expect from such an accomplished guitarist. Caffery's bizarre guitar effects coupled with Olivia's banshee shrieks create a supernatural feel near the middle of the track. Due to the perfectly bridged mood changes and pure musical magic, this eight-minute epic track is the highlight of both discs.
Another mandatory track to check out is "Born of the Board" on the second disc. The song opens with a sad piano passage. Soon the pace of the piano picks up and becomes diabolic, and then Caffery creates a spooky sounding effect. Slowly the piano fades out, until the rest of the band turns the silence into madness. Disc one features more guitar magic with tracks like "Innocent Victim", which displays vertigo-inducing string bends. Maybe it's the amount of time Caffery's notes hang in the air that make this track so memorable. Olivia's chorus hooks are every bit as mind clinging as Caffery's guitar licks.
2005 was quite the year for all-things-Savatage. Members of the group sold out arenas all over the country with their heavy metal Christmas symphony, Trans Siberian Orchestra. Chris Caffery released an excellent solo album, and now the re-released, obscure "Doctor Butcher". With this abundance of material, there is no reason for fans of traditional heavy metal to bitch about the mall metal and cookie monster vocals that invade today's scene! Review by Darren Cowan
Band: Dog Fashion Disco
Album: Committed to a Bright Future (Spitfire Records)
Year: 2003 (Release Date: 27.05.03)
Website: http://www.dogfashiondisco.com
Rating: 7.5/10
Its taken me longer to review this than any other CD on Metal Mayhem mainly because of its weirdness, I can't make up my mind!
Dog Fashion Disco are one of those bands you simply either love or hate, one minute the songs going along at break neck thrash speeds and then it just stops, weird keyboards and stupid noises, comparisons are System of a Down and Mr.Bungle. There is no doubting that DFD are one of the most original bands around at the moment, and I bet their live shows are amazing.
Again, one minute your listening to thrashy, heavy stuff and then it will just suddenly stop into weird Nu-Metal rantings which is kind of annoying. I've never heard anything quite like it, I doubt many of you will have. Kind of good, kind of weird and kind of annoying, I will leave it up to you to make your own minds up. Fans of System of a Down or Mr.Bungle will treasure this, for the rest of you, I recommend you try to listen to this before you buy it. I'm glad that I have listened to this, because it has broadened my horizons a bit. I'm still not sure about this, I doubt that I ever will!
Band: Dog Soldier
Album: Barking of the Dogs of War (Hardcore Holocaust)
Year: 2004
Website: N/A
Rating: 7/10
Hardcore Punk from Portland.
Pretty straight forward stuff but classic in delivery and speed. Sing along structures, thrashy riffs, war drums pummeling away on the toms. Plenty of hooks, good lyrical snippets. Slick packaging and design, massively anti-fascist. Worth checking out before you buy it. Review by Ryan Bartek
Band: Doits, The
Album: This is Rocket Science (Wild kingdom)
Year: 2005
Website: http://www.thedoits.tk
Rating: 3/10
I've got a thing about bands beginning with "The", there's hundreds of them and they all play garage rock.
Well, you guessed it, The Doits are another Garage Rock band that sit nicely alongside all the other bands that do the same things and sound exactly the same. It's hard to distinguish between the 12 tracks on here as there aren't that many that are that memorable, to be honest, they all sound pretty similar.
Well, they don't offer us anything that we haven't heard before, All in all "This is Rocket Science" is definitely not rocket science.
Band: Doomsday Cult, The
Album: Samaritans of Misery
Year: 2002
Website: http://thedoomsdaycult.com
Rating: 9/10
I can't hear this debut 4 track offering from Swedish doomsters The Doomsday Cult often enough. There's an epic quality to the bands slow melodic sound, infused with addictive riffs that owes much to Candlemass and Solitude Aeuturnus (not that that's a bad thing) yet they still manage to make the music their own with Jacobus von Doom mournful vocals providing an emotional density to the songs.
Staying true to their loathing of corporate music they have chosen to shun demo cd's in favor of a beautifully packaged limited edition cassette. This choice of medium lends the recording an old school feel that actually enhances the texture of the music.
This is a band going places fast. It may be too late to snag a demo as there are only 93 hand numbered copies in existence but do look out for their forthcoming split 7 inch with American doom band While Heaven Wept, if its as good as this offering it should be something very special indeed. By Gemma Alexander
Band: Doro
Album: Warrior Soul (AFM Records)
Year: 2006
Website: http://www.doro.com
Rating: 8/10
Ah, Doro Pesch...Haven't heard anything from her in a long while.
A massive icon in the Metal scene and a sex symbol long before the likes of Cristina Scabbia and Sharon den Adel, Doro cranks out some quality, sing along Heavy Metal. The kind of stuff that you can't help but like. Whilst the majority of the tracks are decent, there are a couple that really stand out from the rest, "Strangers Yesterday" is just one of them, a real "fist in the air" sing-a-long track. The album starts with four solid rockers and then moves on to a few slower numbers and a couple of ballads, all still decent, but then there's a couple of German numbers that close the album that I wouldn't really miss if they got chopped off.
The vocals are also really high in the mix, not really a complaint, but I would have liked the actual music to come through more. Apart from a couple of minor grumbles, "Warrior Soul" is a solid old school rocker that you'll find catchy and enjoyable.
Band: Do Or Die
Album: Tradition (Alveran Records)
Year: 2005
Website: http://www.doordie.be
Rating: 6.5/10
Yet another band jumping on the successful Hardcore/Metalcore bandwagon.
If your happy with the masses of releases, and are just looking for the grooviest, heaviest or most skull crushing band out there and aren't at all bothered about originality, Do or Die could very well impress you. There's plenty of brutal grooves, straight forward riffs, precise drumming and a combination of scorned, pissed off vocals with a more melodic voice, but there are just so many similar albums, there's not that much to keep Do or Die's head above the rest.
With hints of both Killswitch Engage and Hatebreed, it's a heavy album, but not destined to be a classic.
Band: Draconian
Album: Arcane Rain Fell (Napalm Records)
Year: 2005
Website: http://www.draconian.se
Rating: 7.5/10
"Becoming thus the essence of sedition, the steadfast gleam of the unsheathed rapier – the Falcian's forceful thrust at the heart of thy empire".
Yeah, lots of that warrior sentiment is caked all over this disc. Draconian's debut on Napalm last year was far stronger – the first authentic record ever released by this long-standing, long overlooked Swedish band. "Arcane Rain Fell" is the follow up, an album that is generally well rounded and played foray into epic heathen/D&D doom metal. It echoes a shit ton of Primordial and Anathema. It's far gloomier and downtrodden than their last, way more into the story telling aspect of the genre as with before they just had a lot of cool tunes lumped together. It's above average for the genre but what drags it down is that too much of the record blends together and just drags unintentionally. There isn't much to offer from a tech standpoint either.
This is definitely a worthy sophomore effort but it could've been far more cohesive as a whole. Still worth checking out. Review by Ryan Bartek
Band: Dragonia
Album: Resurrection (Demo)
Year: 2005
Website: http://www.dragonia.org
Rating: 7/10
This band of Italian guys play what they describe as “Epic Power Metal” and I definitely agree with that description! This high quality demo "Resurrection", sounds professionally made and is also available to download totally free at their web site http://www.dragonia.org which is a good thing if you ask me, because the melodic power metal of Dragonia deserves to be heard.
Now I have to admit that I am not the worlds biggest power metal fan, far from it a lot of it leaves me cold, however there is some good stuff out there if you separate the wheat from the chaff. Dragonia all into the quality side of Power Metal along with Hammerfall and Demons & Wizards close yourself off from what's cool and trendy and just enjoy. One thing that marks them out from a million other European power metal bands is the sheer variety of sounds and style they fit into just 3 songs on this demo and yet they never sound cluttered.'Survive' is power metal song with definite prog influences and eerie chanting at the start that I am more used to hearing on black metal songs while 'Heart Glory' is an out and out old school power ballad. These are without doubt talented musicians, yet they never over do it, Massimo's vocals are good yet not OTT, the keyboards create a real atmosphere and are not just there for the hell of it.
Sure its not all amazing, the solo's can go on for a bit too long and be a bit indulgent and the lyrics aren't always spot on in terms of the English but hey this IS euro Power Metal! And in this genre Dragonia are a band with real potential. Review by Joe Freeman
Band: Dragonland
Album: Starfall (Century Media)
Year: 2004
Website: http://www.dragonland.se
Rating: 7.5/10
Sweden's Dragonland are back with their third offering "Starfall".
Whilst their isn't anything one here that I haven't heard before, Dragonland are the sort of band that you don't mind adding to your collection. OK, they might not be the most original band on the planet, but at least it showcases Power Metal that's done properly. If Prog/Power Metal is your thing, then Starfall are well worth checking out, especially if your into bands such as Sonata Arctica, Stratovarius and Labyrinth. There is nothing at all bad with "Starfall", it's just that they need to add their own styles and touches to their next album to really get those eyes opening and ears wagging.
One or two cheesy moments, and nothing really groundbreaking, but "Starfall" definitely has it's moments and there are glimpses of a great band in the works.
Band: Dream Evil
Album: The Book of Heavy Metal (Century Media)
Year: 2004 (Release Date: 31.05.04)
Website: http://www.dreamevil.mu
Rating: 10/10
Dream Evil are a band that have that special something and have always been a well respected. If your thought their "Dragonslayer" and "Evilized" albums were good, wait till you get a load of this.
Opener "The Book of Heavy Metal" will be the song of 2004, trust me. They've decided to slow things down a little and beef them up instead of using the formula which has made previous albums so successful which has taken me by surprise. Not that I'm complaining of course, as this is easily their best album to date, a little cheesy maybe but I don't give a damn as Dream Evil are one of the best bands to emerge over the last few years without a shadow of a doubt. 12 tracks, every single one is an absolute masterpiece. It usually takes me a good few listens to form an opinion and be able to write about it, but with this, I knew it was going to be good because it is Dream Evil, but I never expected it to be this good. The whole album reminds you just why heavy metal is so great.
"The Book of Heavy Metal" is one of the most enjoyable, well polished and very close to perfect heavy metal albums I've heard in a while, and I simply cannot recommend it highly enough. Quite a big change in direction for the band, but a much better one, fast solos, loud drums, great vocals, great ballads, really heavy, hard rocking, powerful songs that I guarantee will have you singing along to.
Band: Dream Evil
Album: Children of the Night EP (Century Media)
Year: 2003 (Release Date: 20.10.03)
Website: http://www.dreamevil.mu
Rating: 9/10
Since 2002, Dream Evil have released two incredibly well received albums, 2002's "Dragonslayer" and this years "Evilized" have seen the band gain amazing reactions from all over the globe.
The "Children of the Night" MCD/EP contains three new tracks, and edit of an older track and a bonus video clip. First up is and edit of the absolute classic "Children of the Night" taken from this year's "Evilized" album. The next two, "Dragonheart" and "Betrayed" were only previously released as a Japanese bonus track on "Dragonslayer" and "Evilized" respectively, so for most of us, they are brand new tracks. The fourth and final track is an unplugged version of "Betrayer" which, until now was unreleased.
Also included on this CD, which only costs the same as a normal CD-single is the video for "Children of the Night". It was filmed on February 20th 2003, in Gothenburg on the band's Evilized tour supporting Hammerfall. What more can you ask for, four songs and a video clip and all for the price of a normal single. Dream Evil are a great band and, whilst I don't usually buy singles, I highly recommend getting this.
Band: Dream System
Album: Traveling after Midnight (Foreshadow Productions)
Year: 2005
Website: http://www.foreshadow.info
Rating: 7/10
This is an indie release I got sent from a two man duo residing on the West Coast.
When I listen to this, I think of Robert DeNiro in Heat cruising down the pitch black highway - calm, collected, self-assured of his thorough badassness. This is predominantly instrumental industrial with a heavy ambient/trip hop feel. If there ever are vocals they are lengthy sample passages detailing many a weird scene. Dream system come off like a mix of Sneaker Pimps, Massive Attack, Portishead, Meg Lee Chin and Pigface. It never gets too heavy or intense, for the most part a general laid back or occasionally dancy feel.
Yet another fine band that just screams for usage on a film soundtrack somewhere. Review by Ryan Bartek
Band: Drill Queen
Album: Born Depressed (Poochie Corp. Records)
Year: 2004
Website: ?
Rating: 7/10
This is not a bad release, it's simply not metal.
Well written electro-pop that features some fair lead guitar and the original sounding voice of lead singer Vee. ‘Born Different' has a very catchy, well sung chorus, while the B side, "Pocket Full Of Fun" is a strange mix of rap and indie rock that is best described as strange. You can't really fault the band here, as their songwriting is decent and the performance is delivered solidly.
It's not close to being metal, but not too bad, nonetheless. Review by Star (Contact)
Band: Dry Kill Logic
Album: The Dead and Dreaming (Steamhammer/SPV)
Year: 2004
Website: http://www.drykilllogic.com
Rating: 5/10
When this arrived I really didn't expect much, OK...I may have never heard them before, but I knew it had to be some tried and tested to the death sound of many Nu-metal bands.
DKL are fundamentally Nu-Metal, more at the Spineshank end than say, Linkin Park. Listening to this, I can hear lots of influences and sounds, the actual song structures are similar to Killswitch Engage whereas they combine aggressive intros/verses etc will more melodic, cleanly sung choruses but I hear System of a Down and few other Nu-Metal bands at times, as well as attempted Tool styled complexity now and again. Well, the album gets off to a cracking start with "Lost" and "Paper Tiger" (not sure what exactly, but something sounds damn familiar with that song!), both thrashy numbers that definitely push the boundaries of the genre.
Unfortunately the album goes downhill from there, it all gets to familiar and a little dull. Not sure if they started to run out of ideas, but there is only so much of the aggression/melody cross-over I can take. No doubt it will sell well like their debut did, but for me, nothing really special here.
Band: DuBrow, Kevin
Album: In For The Kill (Mascot Records)
Year: 2004
Website: http://www.kevindubrow.com
Rating: 5/10
Kevin DuBrow, the man who needs no introduction.
"In for the Kill" see's the former Quiet Riot front man going solo, and paying homage to some of rocks greatest artists. Having just reviewed George Lynch's album of covers, "Furious George", this doesn't compete with it, funnily enough, this also features Kevin Curry on guitar, drummer Jeff Martin and Gunter Nezhoda on bass with Michael Lardie handling keyboards. Unlike "Furious George" the majority of this album consists of obscure, B-Sides and album tracks from the likes of Rod Stewart, Queen, T.Rex, Nazereth and Deep Purple.
Whilst the performance is creditable, I think the choice of songs really let's him down on this. I'd only really recommend this to fans of DuBrow.
Band: Duskfall, The
Album: Lifetime Supply of Guilt (Nuclear Blast)
Year: 2005
Website: http://www.theduskfall.com
Rating: 7/10
Another dose of Melo-Death, just what I needed.
Plagued with line-up changes from the word go, "Lifetime Supply of Guilt" is the bands third album. These Melodic Death bands seem to be coming from every angle, right, left and centre this year, some decent and some just not that memorable. "Lifetime Supply of Guilt" is an angry album, and shows off the talent and the creativity that band has, but my problem with it is that there isn't anything that makes them really stands out form the competition. Its fast and tight with chaotic/complex riffing and plenty of both melody and aggression, sounds good right? and it is, but just how many times have I said this about bands before?
Sure, it's a decent enough album, showing of all things good about the Swedish Melo-Death scene, but it really doesn't offer anything new or anything that you wont have h