Band: Abash
Album: Promo
Year: 2002
Website: http://www.abash.cjb.net
Rating: 7.5/10
Abash, play very original and heavy Death Metal, with Doom and Thrash touches, with extreme death grunts.
This is a good start for the band, they have found the style that suits them best and now they have to build on this.
The three tracks are packed with new ideas and styles, but I feel it just needs tightening up a bit. As for the poorish production, I feel that it adds to the style. Abash have also played with the likes of Maggots, Lomp, Collision, Cockroach, Extreme Sickening Punishment, Defcon One, Book of Arabus en Bloodboil, Cantara, Pitfall, Turbulence, Fubar. One to watch.
Band: Abaddon Incarnate
Album: Dark Crusade (Xtreem Music)
Year: 2004
Website: http://www.abaddonincarnate.com
Rating: 9/10
Ireland's most extreme are back with the follow up to the mighty "Nadir".
From the opening sample "Come on in Your Fuckers!" (not sure which movie it's taken from?) the album is a brutal listen from start to finish. Tight, refreshing and reminiscent of acts such as early Napalm Death, Repulsion and more recent acts such as Nasum. There are plenty of Grind acts out there, but it is bands like Abaddon Incarnate which make me realize why I got into it in the first place.
I'd be surprised is fans of both Grind and Death Metal don't appreciate this fully as there are plenty of Death Metal influences, especially in the riffing. The songs on here vary between 1 minute blasts and lengthy 2 and a half minute onslaughts. If your into quality, technical Grind, "Dark Crusade" is a worthy purchase. After hearing this, I would say they are not only Ireland's most extreme band, they are easily amongst the UK's extreme elite's.
Band: Abstract
Album: Promo 2002
Year: 2002
Website: None
Rating: 7/10
Abstract were formed in 1996, and opted for a more death metal inspired style similar to Sadist, Death, Pestilence and Cynic. Over the years, they have constantly changed and progressed into a very technical, melodic prog style in the vein of Dream Theatre and opted for a female vocalist.
The two tracks on here, Spirals to Infinity and E-Mages, although together clock in at 10 minutes, there are glimpses of greatness but is difficult to get an overall picture of Abstract.
I’m going to give it a 7 because they sound a very interesting band and are well above average quality, but I don’t really want to judge the band by two songs, especially with this technicality. Promising to say the least!
Band: Accused, The
Album: Oh Martha! (Nuclear Blast)
Year: 2006
Website: http://www.splatterrock.com
Rating: 8/10
Wow, never heard these guys before, but "Oh Martha!" is the bands first output in a decade or so.
From what I've read, these guys have been around for over 20 years now, and play kind of crossover classic Hardcore Punk, with a bit of thrash thrown in for good measure. I can't really think who to compare them to other than Suicidal Tendencies, but better, and possibly older bands such as Cryptic Slaughter. I didn't really know what to think at first, I think it was their full-on, in-you-face speed and spewed vocals that put me off at first, but after a few listens, these guys turned out to be hilarious!!!
The lyrics are based on shocking, cartoony horror stuff with B-movie intro/samples, kinda funny but musically there's also plenty of aggression and power. You also get the 80's style thrashy/galloping riffing and gang vocals. Whilst some may see it as over the top, there's no denying that's its as catchy as hell. It's not going to be to everyone's tastes, but if your into Old School Hardcore/Punk and bands such as Cryptic Slaughter, they're worth checking out.
Band: Acheron
Album: Xomaly (Warlord Records )
Year: 2002
Website: http://www.acheron666.com
Rating: 8.5/10
Two of the four tracks on this EP are taken from different recordings, and different versions of these songs will appear on the next Acheron release, "Rebirth".
The vocals are brutal, yet audible and the music is mid-paced Death Metal with satanic lyrics, super evil, no technical frills, it just hits you, and with the added use of keyboards really adds an atmosphere. The main man behind Acheron is Vincent Crowley, a true Satanist, who, once had connections to the Church of Satan (I’m not sure if he still has?)
With the new album on the way, you can’t help feel that this is for true die hard fans only, and, if the new album is anything like this, its going to be a masterpiece.
Band: Ador Dorath
Album: Adon Nin Edeleth
Year: 2003
Website: http://www2.webpark.cz/adordorath
Rating: 9/10
Seven piece Ador Dorath are a very interesting band, they play highly competent, aggressive gothic with black influences and definitely have a lot going for them.
The songs have a lot of structure and have lots of things going on at the same time. The great thing is the songs never sound too crammed which can totally ruin the overall effect. The harsh male and the clean, almost operatic female vocals work very well together, almost like good vs. evil and the music, well, what can I say is absolutely first class! the dual guitars are great and the keyboards and synths come in at just the right time and never wimp out the sound. I can't remember the last time I heard an album with so much to listen to on it.
"Adon Nin Edeleth" is an album that's a joy to listen to over and over again. I do have to admit the first time I listen to this I wasn't at all impressed, but the more I listened to it, the more I realized the complexity and how atmospheric the overall album was. Ador Dorath is a name hopefully we will all be hearing about soon.
Band: Aerium, The
Album: Song for the Dead King (Black Lotus Records)
Year: 2005
Website: http://www.theaerium.com
Rating: 3/10
This is a slightly better than demo quality album from a mega-cheese Russian goth outfit with operatic female vocals and a strong power metal backbone.
The keyboards are so foofy they destroy everything. The guitar sound is crap and the voice is solid yet seems totally out of context. This is all about the keys, and boy does it feel Richard Band. Mess is the key word here. Review by Ryan Bartek
Band: Agathodaimon
Album: Serpent's Embrace (Nuclear Blast)
Year: 2004
Website: http://www.agathodaimon.de
Rating: 5/10
I've heard the name Agathodaimon thrown around here and there for a while now, but I've still never heard them up until now.
Unfortunately Agathodaimon sound like every other modern band claiming to be black metal. It's a shame really because there are some decent parts on here, there is aggressive yet melodic riffing with some pounding drum work. Yet it will then slow right down to crazy, Nu-Metal ridden, keyboard driven pop music, "Solitude" is a prime example, it's very Evanescence sounding track. Mark my words though, this will go down well and be very well accepted, especially in Europe where there is a huge demand for this.
If your into bands like Cradle of Filth, or indeed Gothic bands in general, this may be for you.
Band: Agnostic Front
Album: Another Voice (Nuclear Blast)
Year: 2004
Website: http://www.agnosticfront.com
Rating: 9/10
The masters of NYHC are back, and sound harder than ever.
Everybody has an Agnostic Front CD in their collection, it doesn't matter what genre's your into or not into, everybody has at least one album of theirs. When anybody mentions NYHC to me, Agnostic Front are always the first to mind, and they always will be, their name is such a landmark when it comes to hardcore, no self proclaimed fan of hardcore would not have a few Agnostic Front Albums. They've released some pretty average stuff over the last few years, but you'll be pleased to know that, "Another Voice" is easily amongst the best stuff the band have ever done, the sound refreshed and as tight as ever, I guess the move to Nuclear Blast paid off after all. The album is packed full of great HC tracks, it's pretty much impossible to mention the highlights of the album, as there is so many.
Vocally, Front-man Roger Miret has never sounded so good, and the sing along gang style chanting, is just so effective in creating a rough/hard sound. AF have taken a step in the right direction, and getting Hatebreed's Jamie Jasta to oversee production of the album has also been a great move, and has paid off well. Unbelievably, this is the bands sixteenth release, and they've been doing this for twenty odd years, and they are still essential as ever.
Band: Agony Scene, The
Album: The Agony Scene (Century Media)
Year: 2003 (Release Date: 29.09.03)
Website: http://www.theagonyscene.com
Rating: 8.5/10
Well I never!?!?!? Looking at the band I would never have thought for one second they would play the classic "Scandinavian" melodic death metal, tight, brutal, riff-laden, Swedish metal with hints of hardcore and American metal core, relying heavily on speed and technicality.
Although they may not be the most original band around at the moment, their s/t debut is a very enjoyable listen, I no doubt believe that they have a few At the Gates, In Flames and The Haunted albums in their collection. One bad point that comes to mind on a couple of tracks is that the vocals need a bit of definition, a bit of diversity rather than the aggressive high pitch screams, which can get a bit tedious after a while.
The Agony Scene have taken me by total surprise and a definitely are a great addition the Century Media roster.
Band: Agro
Album: Forthcoming
Year: 2003
Website: http://www.agro-metal.com
Rating: 8/10
Although unsigned, Agro are South Africa's biggest selling metal band and are 6th in the metal rankings in S.A. behind Cradle of Filth, Dimmu Borgir, Manowar, In Flames and Hammerfall. Not only are they the countries best selling metal band, they have toured Germany and have even appeared on the bill at Wacken Open-Air in 2000.
This is their fourth independently released album, and contains over an hours worth of traditional heavy metal/thrash which, whilst heavy, is also technical and melodic. The only downer is that some may feel the rough sounding vocals by Cliff Crabb maybe a bit harsh for some of the more melodic tracks, personally I think this adds an effective aggressive side to the band.
As the band have stated, it can be hard to find support around the world without belonging to a record label, I think its great how the band have worked non-stop to promote themselves and get their name heard. Agro are a very professional band who are serious about their music, a record deal is surely around the corner!
Band: Aiden
Album: Our Gangs Dark Oath (Victory Records)
Year: 2006
Website: http://www.aiden.org
Rating: 3/10
Just when I thought I'd heard the last of them, I get this.
It's a little better than the last one I reviewed, but it's more of the same I'm afraid. They still sound like 5 guys thrown together and told to play some AFI or My Chemical Romance. After all the hype I'd been hearing and then to receive these two albums was a bit of a surprise, they're not original or groundbreaking and I wouldn't really rank them any higher than the many other bands of this style. As with Nightmare Anatomy, I had to sit through this a few times, and it wasn't really that memorable, the usual Emo/Punk kind of think, but I've heard this done a million times better.
In a genre like this, you've really got to get your head and shoulders above the competition, and Aiden are simply nowhere near. Probably one for bands like AFI and MCR, this will no doubt get them some kind of cult following and a massive fan base. Can't see what the hype is about!
Band: Aiden
Album: Nightmare Anatomy (Victory Records)
Year: 2005
Website: http://www.aiden.org
Rating: 2/10
Oh dear, where do I begin?
Supposed new rising talents of Screamo? I don't think so! "Nightmare Anatomy" was painful to listen to, all 40 minutes of it. I'll give them some credit though, they've got the Emo/Goth look spot on, the gelled died black hair, the makeup and the all black clothes. If they actually took some of that effort in trying to look good, and actually used it on the music, they might not be that bad. The album consists of awful lyrics, which the singer cannot sing because the guy simply tone deaf, there are a couple of metal riffs thrown in, but the majority of it is just really simplistic stuff and I hate to say it, not much talent going on at all.
They've tried so hard to achieve that My Chemical Romance thing, but it hasn't paid off at all. "Nightmare Anatomy" will no doubt be welcomed with open arms by the teenage fans of Emo/Screamo, but really, for the rest of us who like decent music, this is poor, almost embarrassing.
Band: Ajattara
Album: Tyhjyys (Spikefarm Records)
Year: 2005
Website: http://www.ajattara.com
Rating: 8/10
Don't even ask me how you pronounce the title, I have no idea! What I do know however, is that these guys are damn impressive!
Initially I was expecting some same old, raw black metal, so when opener "Sortajan Kaipuu" burst through the speakers, it soon became clear that this isn't your usual run of the mill black metal album. Mid-Paced, Heavy, Riff based Black Metal with, at times, massive keyboards that really create an impressive atmospheres and sounds.
Whilst their slower, almost Doomy approach may not be to everyone's liking, I personally think it is much more interesting, and not that I have a problem with it, but it makes a nice change from the never ending hordes of hyper-fast black metal bands. Tends to get a little repetitive towards the end, but all-in-all, it makes a nice change to hear a band that try's something a little different.
Band: Alberzakh
Album: The Queen Demo
Year: 2003
Website: http://www.alberzakh.com
Rating: 7/10
Man, these guys sound heavily influenced by Blaze era Iron Maiden, an era which unlike many, I thought was great.
The three tracks on show, "Live or Die", "The God That I have Behind my Eyes" and "The Queen", are enough to show off the musical talent of these Brazilians. Very Maiden- esque dual guitar work and galloping bass lines sound great, but I can't help feel the vocals by Guilherme Nogueira could be the bands strength or their weakness, to me they sound fine maybe apart from the opening bit to "The God that.." where the guy sound drunk, but with a little work and the right production etc they would sound much better. He's got a great vocal range (check out "The Queen")so I think they should stick together and work on more songs that suit his voice better.
After the inital thought of them being a black metal band with their all black cover with just the band logo in white, Alberzakh really grew on me and I look forward to hearing more from the band. Not a bad start at all!
Band: Alignak
Album: Tales of Madness from Beyond the Labyrinth of Hate (Independent Release)
Year: 2005
Website: http://www.myspace.com/alignak
Rating: 7/10
"Tales of Madness from Beyond the Labyrinth of Hate" is the latest EP in a lengthening list of EPs from this Southeastern United State's band. The group's bio mentioned the lack of label attention each effort has received. Really, that is a shame because Alignak has what it takes to be considered a force in the USBM scene. Each new album has grown a shade darker, the compositions have become more complex and professional, and the group’s musical influences have expanded.
The horror-movie-sampled intro sets a malevolent tone that persists through out the album’s four-track duration. Minor piano notes fill in the background, much like a stalker in a terror film. It is unclear what movie this sample came from, but Alignak cites samples from "Hellraiser II", "American History X", "Night of the Living Dead", and "Bride of the Re-Animator". The ominous, commanding voice of H.P. Lovecraft movie mainstay, Jeffrey Combs accompanies the beginning of "Satanik Holokaust". The low end, distorted tremolo riff and skin bashing in the background makes it sound as if he is riding a wave from the rolling seas of Apsu. Every aspect of "Tales..." is laid down for one reason and one reason only, to create pure sonic evil! Whether it is the Andy Larocque of King Diamond style groove riffing found on "In Vain" or the Beherit-like vocal effects, a full listen of this album will instill the feeling that you are unleashing dark energy into your surroundings.
If a metal band wants to create music with a dark, occult vide it need look no further than the past works of Slayer and Morbid Angel. Alignak focuses on how the two pioneers in satanic music use the whammy bar for evil effects, and transitions. "In Vain" ends in an explosion of feedback and some wicked whammy bar noise then are held for an extended period to get the same type of effect that Raining Blood did. The next song, "Satanik Holokaust" ends with an ode to Morbid Angel's classic tune "Chapel of Ghouls". First, the music comes to a halt; a wild whammy bar screech brings the music back to a rolling, behemoth-sized Death Metal chug. That part gets better and better with every play.
Part of the problem with Alignak's failure to get signed is the over saturation of Black Metal bands all over the world making it hard for labels to discern one band from another. Some label reps might not even get past the satanic cover art, tossing it in the belief that this is just another Black Metal band. Alignak is not just another Black Metal band. There is no doubt you will agree if you take the time to listen to the group's unique brand of evil. Review by Darren Cowan
Band: Alkemyst
Album: Meeting in the Mist (Nuclear Blast)
Year: 2003
Website: http://www.alkemyst.net
Rating: 7.5/10
From 1992-1999 Alkemyst went under the name of Endless, but soon changed when they realized the name was already in use by another band. Currently consisting of Arnaud Corbaty (d), Denis Mellion (b), Arnaud Menrad (g), Severin Bonneville (g) and, well known for his work with Secret Sphere (also on Nuclear Blast) Ramon Messina on vocals, Alkemyst play speed/power metal, inspired by Helloween, Blind Guardian and Stratovarius, but is tinged with "progressive" influences (Rush, Dream Theatre..)
This is the debut album from the French band. There may not be anything really original or ground breaking on here, but there are moments of true greatness. The tracks on "Meeting in the Mist" are aggressive, technical and very atmospheric but don't really excite me. Don't get me wrong, I have heard bands much worse than this but I have also heard better.
Remember that this is their first album and I am sure that they will improve with time.
Band: All Shall Perish
Album: Hate.Malice.Revenge (Nuclear Blast)
Year: 2005 (Release Date: 14.02.05)
Website: http://www.allshallperish.com
Rating: 9.5/10
Originally released back in 2003 on the Japanese Amputated Vein label, the band have signed a worldwide deal with Nuclear Blast to make it available to a wider audience, which is not a bad move at all.
"Hate.Malice.Revenge" is a hard hitting, accomplished album, that contains some of the most aggressive guttural Deathcore I have heard for a long while. The band combine the brutal and grinding sound of US Death Metal with the melodic side of Scandinavian Death and throw in the chuggability of American Hardcore to create and amazingly aggressive and powerful album. There is a great deal of diversity on the album, which in turn creates an album that I feel can be enjoyed by a wider audience, from Death, Thrash, right the way through to Hardcore in general.
"Hate.Malice.Revenge" is a well structured, technical album that remains varied and interesting right the way through, with its tempo changes and heavy riffing, despite it being relentlessly aggressive. If you like it heavy and aggressive, be sure to check out "Hate.Malice.Revenge".
Band: All That Remains
Album: The Darkened Heart (Prosthetic Records)
Year: 2004
Website: http://www.allthatremains.cc
Rating: 7.5/10
The new band from the ex-vocalist of Shadows Fall. And it sounds like.....Shadows Fall.
All That Remains are similar in composition with a dozen riffs in every song and a near identical style of playing, although I’m digging this far more than the stuff I’ve heard from SF. Throw in the influences of Killswitch Engage, Lamb of God, God Forbid and nearly every other band tight with the same crew and you’ll know what to expect.
Ten bucks says All That Remains will be picked up by a major in the next two years. Review by Ryan Bartek
Band: Amaka Hahina
Album: Aheah Saergathan! (Drakkar Productions)
Year: 2002
Website: ?
Rating: 7.5/10
Now this is totally sick, totally weird and totally unique. This album is the theme to Armageddon, the soundtrack to that sick horror film you just watched and that nightmare you just had.
The music exists of a minimal background sound of keyboards/organs etc and the rest is voices of people who scream, are scared, crying, being tortured and more. There are also some spoken passages spoken in French by some crazy almost hypnotic voice.
The 6 tracks, clocking in at just over 36 minutes are enough to drive you insane. I dare you to sit alone in a dark room listening to this. Very Disturbing.
Band: Amoral
Album: Wound Creations (Spikefarm Records)
Year: 2004
Website: http://www.amoralweb.com
Rating: 8.5/10
Being compared to the likes of Anata, and even Opeth and Death, these Fins have released a debut album that they can be proud of.
Whilst I think there's a little way to go before they reach the heights of the Technical Death Metal elite, Amoral have showed us hints of the hallmarks of progressive death metal at its finest. It's mostly mid paced stuff, but by god, the dual leads and precision riffing are absolutely astounding, and the complexity and the sheer vastness of the album will leave you wanting more.
Wound Creations has a lot to offer, combining compelling, catchy grooves with amazing musicianship to create an album that is very exciting and fulfilling to listen to. Fans of Death and Opeth will surely appreciate this, as indeed anyone who likes things a bit more technical will too. Amoral will surely progress from here and go onto much bigger things.
Band: Amorphis
Album: Eclipse (Nuclear Blast)
Year: 2006
Website: http://www.amorphis.net
Rating: 9/10
After releasing the monumental "Tales from the Thousand Lakes", and then the follow up "Elegy", Amorphis were really catapulted into the spotlight.
Following "Elegy", I never really took to the more rockier, softer stuff. Sure they were decent enough, nothing really great though, but it was those two albums I mentioned that really got me going. The last two or three albums were received with a mixed reception, some hailing them as masterpieces and others longing for a return to their heavier days. Well "Eclipse" could very easily please both parties as the album see's a return to the dark gloomy days of "Tales Of The Thousand Lakes" (complete with growls) and the progressive, intricate work of "Elegy" and onwards.
There are definitely a moments reminiscent of "Tales Of The Thousand Lakes", a few could even fit nicely on there now. New vocalist Tomi Joutsen simply doesn’t disappoint at all, his husky voice fits nicely. Not sure whether he does the growls as well, but all-in-all, in my opinion its a glorious return to form. "Eclipse" will surely re-arouse the interest of the fans of old, yet keep the followers of the newer stuff happy. I personally thinks it's their best album since "Tales...". Good Stuff!
Band: Anata
Album: Under a Stone With No Inscription (Wicked World)
Year: 2003 (Release Date: 19.01.04)
Website: http://www.varberg.se/~drake
Rating: 9/10
It's always great to discover a decent band, and Anata are just that and some more!
I've really heard much about Anata before, but with "Under a Stone With No Inscription", the band's third album and first for Earache imprint Wicked World, I have found a very exciting and impressive death metal act. Wicked World have the knack of finding some great death metal bands (Decapitated, Hate Eternal and Insision to name a few) and Anata are another to add to that list. Mainly old school, U.S. style death metal with a lot of technicality to their songs to make things a little more exciting, comparisons would have to be bands like Suffocation, Vader, Morbid Angel and Death. Although Anata hail from Sweden and play some very aggressive and technical stuff, they stay away from the melodic death style.
"Under a Stone With No Inscription" is a great, aggressive album that unfortunately isn't out until early next year. I haven't seen any other reviews of this album yet, but when they start to surface I'm sure it will receive some very good one's. It will be worth the wait when you finally get your hands on it.
Band: Andrasta
Album: Lost Soul in Darkness (Demo)
Year: 2004
Website: http://www.andrasta.net
Rating: 4.5/10
Originally opting for the name Skulls, Andrasta were formed back on 2003 and play a mid paced kind of speed metal.
This Demo/MCD is nothing really special, they take very few chances and play it safe. There are a few catchy moments, usually always down to the guitar work, but other than that, its very simplistic. The vocals are not really that memorable, as you cant really make them out that much, same goes for the drumming, it's pretty simple stuff. There are glimpses of what they could do, but Lost Souls in Darkness isn't really going to get them anywhere.
Andrasta sound like a band just starting out and trying to find an identity, which is exactly the case. Needs work if they want to get somewhere!
Band: Angel
Album: A Woman's Diary - Chapter I (Black Lotus Records)
Year: 2006
Website: http://www.helena-michaelsen.com
Rating: 3/10
Angel is a symphonic, pop metal band with Helena Michaelson (ex-Trail of Tears) at the forefront. The metal band tag is used very loosely because there is very little metal on this album. Listen closely to the overly produced pop production and you will hear a weak guitar in the background. The symphony players used throughout "Diary of a woman..." are Helana's main asset because her vocals, lyrics, song titles, and album's overall theme are major points of contention. The theme of the album pertains to feminine issues and viewpoints of the world. She doesn't sing about having those "unfresh" days, but she does write un-metal songs like "Butterfly", "A Woman's Diary", and "Love of my Life". These songs might not have been too out of place for women glam singers of the 80's, and the cliché lyrics also would have fit that era. The difference between the female metal singers of the 80's like Lita Ford, Doro and Michaelson is the 80s singer had a more developed singing style. At times, Michaelson has a decent voice, sometimes moving, but sounds like she is singing through her nose at other times.
The cliché lyrics like "Little Princess, little heart of gold" from "Little Princess", and "flying on a fuel of hope and dreams" from "Butterfly", are sure to cause listeners to don facial expressions as if they just received a colonoscopy without anesthesia. "Glow in the Dark’ has a 70's pop feel like listening to Barbara Streisand sing at a Goth club. "The "na na na nas" are just straight up gay! Even the female-fronted metal band aficionado, Randy Adams said, "dude, take that out", when he heard a couple tracks of this steaming pile of poo. Steaming pile of poo is a little exaggerated because, although miniscule, there are shining moments throughout this album. "Mother" is a good song because the emotion seems pure, and the violin brings alive the bereavement she must have felt when she wrote this song. The slow tempo and violin work together well, building in emotion until Michaelson lets her grief bleed from her soul by using the correct pitch and range to push her vocals effectively. "Flames of Desire" is an industrial-tinged erotic, sex song. The carnal moans and groans near the end of the track are nothing short of boner producing. These songs prove that Michaelson has the talent and the creativity to make a good record.
The album’s promotion really highlights Michaelson’s experimentation. The blonde beauty was possibly experimenting to find what works and what does not. If she can take some of the decent songs like "Flames of Desire" and stick to that style, her next album should be a winner. Review by Darren Cowan
Band: Angelzoom
Album: Angelzoom (Nuclear Blast)
Year: 2004
Website: http://www.angelzoom.com
Rating: 7.5/10
As the current vocalist from the German band X-Perience, Claudia Uhle has sold over two million albums and achieved gold and platinum awards for her two biggest hits "A Never Ending Dream" and "Magic Fields".
Angelzoom is her new solo project, an interesting ambient style that the total opposite of the usual Dark Ambient we receive. "Angelzoom" is a chill-out album featuring a horde of special guests such as Apocalyptica, Joachim Witt, Letzte Instanz and Roedernallee. The album also featured a few covers including a very interesting version of Linkin Park's "Crawling".
The album also includes the features the track "Peace of Mind" which will appear on the movie Alone in the Dark (That's if they ever get around to making it that is!). Claudia has a great voice, I'll even go as far as saying it's one of the best female voices I've heard in a long time, it just suits everything perfectly. There's no rock or metal on here, just synths and keyboards amongst other things that create some pretty decent atmospheres. It's makes great background music and is perfect for chilling out to, you can imagine lush green landscapes, peace and tranquility throughout the album, and at times, you can really imagine a few of these tracks appearing on major films. Interesting, well worth checking out if your a fan of ambiance and all things Gothic.
Band: Anger As Art
Album: Anger As Art (Self Released)
Year: 2005
Website: http://webpages.charter.net/angrysteve
Rating: 7/10
This here reminds me of what would happen if Sodom, S.O.D., Flotsam And Jetsam, Nuclear Assault and The Meatmen were compacted into one bastard strain of mutant DNA.
The singer is pretty wacky sounding, he's got this Cookie Monster drunken 80's thrash feel. Either way it's pretty rocking. The drums sometimes are one dimensional and aggressive to the point where it sounds like a LARD tune. The disc I have here is an 8 song promo. It's all over. The production is decent, but when this band gets the right sound they'll sound massive.
Contains instant classics like "Hate In My Heart - Hell In My Head" and "Blood of my Enemies". Contact AngrySteve@Charter.net. Review by Ryan Bartek
Band: Ani Kyd
Album: Evil Needs Candy Too (Alternative Tentacles)
Year: 2005
Website: http://www.anikyd.com
Rating: 7.5/10
One of the rare non-Biafra projects produced by the Jello'd one himself, this is an Ani Kyd solo album.
She's kind of this Bettie Page goth queen with a hard rocking set of 16 tracks. Her vocals are all over, sometimes slightly obnoxious, but most the time working nicely. This reminds me a bit of less wild Thrall or less metal My Ruin. I bet this chick gets all crazy Patti Smith on her fans live. A lot of the compositions are pretty inventive. A lot of bizarre topics, a lot of Americana and a lot of Subculture reference. She hits all the right notes with this soulful, deep voice.
Not a bad little rock album but faster tempo's all over would greatly increase the end effect. Review by Ryan Bartek
Band: Anthrax
Album: The Greater of Two Evils (Nuclear Blast)
Year: 2004
Website: http://www.anthrax.com
Rating: 9/10
"The Greater of Two Evil's" turns out better than I initially thought it would. Live in the studio, re-recording Pre-Bush songs with John on vocals. Cash-In I hearing you shouting?
These songs were chosen by visitors to their website if I recall correctly, and re-recorded live in the studio, so as you can probably imagine they sound pretty raw. Old school Anthrax fans who dislike the Bush era, well, this isn't really going to do anything for you, but if like me your a fan of Bush, then this is a must. The majority of the songs are the better known ones from "Among the Living", but were also treated to cuts from "Fistful of Metal", (including opener "Deathrider"), "Air", "Gung-Ho" and "Madhouse" taken from "Spreading the Disease" and a couple a piece from "State of Euphoria" and "Persistence of Time" ("Keep it in the Family" sounds ultra heavy!).
Being a fan of Anthrax, I've heard a couple of these performed live with Bush on vocals, but it's good to have the studio versions. Also a worthy mention is Rob Caggiano on lead, he performs some great work on these tracks. They put some nice new touches on these classics, which at first I didn't think they should bother doing, but now I've heard the outcome, well, to say I'm impressed would be an understatement. Long live Anthrax!!!
Band: Antigama
Album: Discomfort (Selfmadegod Records)
Year: 2005
Website: http://www.antigama.com
Rating: 7/10
Never has a title summed up an album better than this. "Discomfort".
I still have no idea what I'm going to say about this, is it technical wizardry and pure skill, or is it just noise? I'm sure that many will find this a fairly hard album to listen to, it's noisy, fast, brutal and devoid of any real melody. The aggresion is packed into between 1 and 2 minutes for each song, which I personally thing is good, as anything longer and things could become tedious.
Antigama are just one of those bands that you have to hear to make up your mind; you will either love or hate this. If you're into bands such as Nasum or Pig Destroyer, you may find something on here that I am missing.
Band: Antiquus
Album: Ramayana (Independent Release)
Year: 2004
Website: http://www.antiquus.net
Rating: 8/10
Very similar in nature to early Iced Earth and Jag Panzer, Antiquus favors adequately epic songwriting flavored with a progressive bent.
Despite the bizarre cover photo, which is a painting of an Indian woman with trippy-looking swirls, this record is much more enticing than one would expect. While this album could stand a bit of tweaking from the perspective of the mixing desk, the powerful, melodic vocals of vocalist Jesse White and the intensely talented guitar harmonies expressed by Jeff Dormer are worth the price of admission.
"Tanlin Bridge" offers plenty of powerful, traditional heavy metal sounds, while
the six-part title track is highly ambitious and could stand as an EP in its
own right. Look to the eleven-plus minute "Battle Of Eylau" for some
brilliant Spanish guitar overtones and a highly dramatic ambience, making it
the center point of this worthy release. And to think, these guys are from Canada. Cheers, hosers! Review by Erin Fox
Band: Aposthate
Album: First Born Evil (Necrotorture)
Year: 2005
Website: http://www.thyanthemfades.com/aposthate
Rating: 3/10
Awfully rough production here, as Aposthate kick out some extremely underground sounding blackened Death Metal.
The drumming is far too triggered, coming off like a badly programmed drum machine, but some solace may be found in the band's unmerciful riffing. "First Born Evil" is so underground; you'll need a shovel to listen to it.
Somewhat like traveling back in a time machine to 1991, "First Born Evil" shows Aposthate has slight potential, especially in the guitar department, but that's really about it. Next. Review by Erin Fox
Band: Aquilon
Album: Intramedia (Adipocere Records)
Year: 2004
Website: http://www.aquilonband.com
Rating: 5/10
It's quite difficult when trying to explain what Aquilon are about and what they're trying to achieve on "Intramedia".
I don't thing they know themselves what they're trying to do, sure, it maybe complex and it may be fairly unique, but it can get damn annoying. It's those digital samples that rub me the wrong way, terrible, there are however some good points that do standout, for one, there are some heavy, almost groovy riffs and the combination of clean and guttural male vocals with a clean female is a great idea.
There's one or two standout tracks, but the majority don't seem like they are going anywhere, they just change throughout which ultimately makes you loose attention. Adipocere are renowned for releasing some unique albums, and the majority favour well with me, but they haven't done it for me this time I'm afraid.
Band: Arcane Church
Album: DCLXVI - A Chapter of Mega Therion (Demo)
Year: 2003
Website: http://www.arcanechurch.co.uk
Rating: 7.5/10
The UK's Arcane Church play some very interesting modern sounding cyber black, or as they like to call it "Electro Satanic Terrorism Black Metal" metal.
Although Arcane Church are still a young band age-wise, they have some great ideas and skills and also a descent size fan base which are sure to improve over time. There are some interesting arrangements going on, fast and brutal riffing and some heavy bass lines that sound promising. One thing though is the drums needs a bit of work, most of the time their fine, it's just on occasions they sounds too artificial. One thing that I didn't really notice on first listen is the keys and synths, they just sit back nicely and create some interesting sounds and atmospheres. The vocals of Naberiux are also worth mentioning. They have an electronic effect on them which sometimes can annoy me, but I have to admit sound great and demonic like.
AC can go away feeling very happy with their first release, and in time, after a few live performances and generally tightening things up as a band, the UK will have a new black metal name on the scene. Very promising indeed!
Band: Arcane Order, The
Album: The Machinery of Oblivion (Metal Blade)
Year: 2006
Website: http://www.thearcaneorder.net
Rating: 9/10
Featuring members of Autumn Leaves and Raunchy, these Danish thrashers have left me pleasantly surprised.
The Arcane Order have been around in one form or another, albeit under the moniker Scavenger, since the break up of Autumn Leaves back in 2000, and is really the brainchild of guitarist Flemming C. Lund (Invocator, ex-Autumn Leaves). Although the Melo-Death genre is not the best at the moment, especially with it seeming like every band at the moment gets labeled with that tag, The Arcane Order really are a breath of fresh air, combining modern thrash and Melo-Death, all with an industrial feel to it. Think along the lines of In Flames, as The Arcane Order is straight up there with the elite of the genre.
It really is an amazing debut, so if you like it intense, with plenty of both aggression and melody, be sure to pick up "The Machinery of Oblivion".
Band: Arch Enemy
Album: Dead Eyes See No Future (Century Media)
Year: 2004
Website: http://www.archenemy.net
Rating: 8.5/10
Originally a Japan only release, the "Dead Eyes See No Future EP" has finally seen a worldwide release and serves as a great reminder of how vital Arch Enemy are.
This is a great little package featuring, well you guessed it "Dead Eyes See No Future" which is taken from last years "Anthems of Rebellion". Also on here is the catchy "We Will Rise" ("Anthems of Rebellion"), "Heart of Darkness" and "Burning Angel" (both "Wages of Sin") recorded live in Paris, all of which sound amazing courtesy of Andy Sneap and a video on "We Will Rise".
Not only do you get that lot, we're also treated to the bands rendition of three great tracks, first of which is a personal favourite of mine, "Symphony of Destruction" by Megadeth as well as Manowar's "Kill With Power" and "Incarnated Solvent Abuse" by the mighty Carcass. To put it simply, there is no reason at all why fans of the band should not have this in their collection, it's also a great taster for the uninitiated.
Band: Arch Enemy
Album: Anthems of Rebellion (Century Media)
Year: 2003 (Release Date: 25.08.03)
Website: http://www.archenemy.net
Rating: 10/10
To put it simply, "Anthems of Rebellium" is an absolute masterpiece! I've been listening to this for about a month non-stop now and it still sounds as fresh as when I first heard it.
Arch Enemy have really hit the nail on the head with this, for me personally, I think it is their best work to date. I went to see them at Graspop Metal Meeting and they totally blew me away. They showcased a couple of the new songs and they went down very well. "Anthems of Rebellion" has every type of emotion, its beautiful yet ugly and melodic yet totally brutal. Again the dual harmonic guitar work of Michael and Christopher Amott is amazing, they really do have an understanding and the vocals, well, what can I say?, they really do put any male death metal singer to shame!!!
Also, what some people may not realize at first is the smoothly incorporated keyboard layer courtesy of Spiritual Beggars' Per Wilberg and the melodic background vocals perfumed by Chris Amott. Arch Enemy are easily the leaders of the modern melodic death metal field! What better way to round up the review in Michael Amott's own words: "There's an absolute abundance of heavy riffs, thick harmonies, ripping solo's, frantic drumming and sick screaming all over the album". I couldn't have put it better myself!
Band: Archaicus
Album: Beneath the Horizon Demo
Year: 2003
Website: http://www.archaicus.cjb.net
Rating: 8/10
Archaicus are a cold, mid-fast paced black metal band from the UK. Other influences creep in from elsewhere to create an underlying melodic feel, which meets necro to make an overall effect of contrasting and interesting features.
The three tracks on show here, "Escaping the Deterioration of this Earth", "Over the Hills and Beneath the Horizon" and "Cold Winds of the Lamented Valley" last together around 16 minutes, so the songs are pretty long but fortunately never get boring or repetitive like some black metal I have heard lately.
The songs are broken up with slow, eerie, acoustic, classical instrumental passages, which really set the atmosphere. You know there’s something coming, but you don’t know when and what, and then it just bursts frantically into super sonic riffing and blast beats.
This was recorded in two days, right here in my hometown of Birmingham, by Herodian (Drums) and Vortigern (Acoustic & Electric Guitars, Bass, Vocals & Synths) and really offers something new to the genre. I can see Archaicus going far, but they have to work hard getting there name spread as UK black metal tends to be over shadowed by Scandinavian bands, some of which aren’t as good as this. A great start for the band.
Band: Argath
Album: Argath
Year: 2002
Website: http://www.sunpoint.net/~argath/
Rating: 6.5/10
Argath were formed in 1997 by Mr.Gath and Mr.Wargus and have 3 demos to their name. Argath play True Scandinavian Black Metal similar to very early Emperor and Mayhem.
Corpse paint, spikes, vocals that are straight out of hell and the music is so grim, so sick, so necro and the poor production trademark of Black Metal is ever present, it sounds like it has been recorded in the deepest darkest wood somewhere in Finland at night.
Although there is nothing new nothing new or original over the six tracks (two hidden tracks), Argath show how original black metal should be played when done properly. There are a couple of MP3’s on their site so, if you’re into true black metal, get over there and check them out.
Band: Arghoslent
Album: Incorrigible Bigotry (Promo CD-R)
Year: 2002
Website: http://www.arghoslent.cjb.com
Rating: 9/10
"Since the band's inception over a decade ago, ARGHOSLENT has earned a reputation as one of the most uncompromising pure underground metal acts ever to emerge from the USA. Always content to make their music in their own way regardless of all trends and criticisms".
And listening to this album, ARGHOSLENT just dont give a fuck, lyrically, they've ventured into terrain that most bands dare not explore. Some of their songs deal with the Trans-Atlantic slave trade and other historical subjects.
Musically, an enjoyable listen from start to finish. This Ultra Militant Death Metal Band consists of tempo changes from the fastest blastbeats and furiosly fast and/or whining guitars and then it will just slow right down to the most craziest, mind crunching, head banging, twisted tunes.
The singer is one pissed of guy, sounding like he's singing whilst choking on a mixture of shit and razor blades. This is what Death Metal should be played like. In my opinion, I could easily see ARGHOSLENT on any major label. A Classic album which will be in my CD player for a long time to come!
Band: Ark
Album: Nine Days To No One (Engineer Records)
Year: 2006
Website: http://www.engineerrecordsusa.com/label/releases.php?g=hWOLGQgR
Rating: 2/10
Incorporating minimalist themes can be acceptable when such themes enjoy the benefit of variation, yet Ark's "Nine Days To No One" unfortunately, does not stray too far along from a jangling, screaming center point for long enough to make a substantial impact.
Although one might appreciate the fact that these instruments and vocals sound like they were recorded in a silo, the production becomes grating when fused with the band's utter lack of direction. Too much white noise and not enough diversity equals a harsh grating listen that at times, is about as enjoyable as listening to a TV station sign off the air. The songs are loose and airy, which at times, works for the group, but too often, the simplicity of the band's songwriting speaks volumes about their obvious inexperience. Incoherence in a structured environment can at times be considered as brilliant but there is simply no excuse for a record that fails to be memorable or entertaining.
There are hundreds of bands that have tried this approach and the bottom line is that most others strike the listener as being both musically and artistically more relevant than the six tracks you'll find here. This Ark is dead in the water. Review by Erin Fox
Band: Arnocorps
Album: The Greatest Band of All Time (Anticulture Records)
Year: 2005
Website: http://www.arnocorps.com
Rating: 8/10
Everything about Arnocorps is simply over the top.
Not quite the greatest band in the world, but Arnocorps provide a great tongue-in-cheek and fun listen from start to finish. Ask any band what their main influences are, and I'm sure many would say things like history, politics, the past, personal opinions or religion, you know...the usual kind of things, but Arnocorps have just one...Arnie. That's right, they pay homage to the Governor of California, it's almost like a tribute album. Whilst it may not sound great on paper, their punky style of metal really is a great listen that will have you singing along.
Not only do the lyrics have numerous Arnie quotes throughout, the songs are actually based on his movies...Predator, Total Recall, Eraser and Terminator to name but a few of the song titles. Musically, the twin guitars sound great but the choice of having two bass players is beyond me. Entertaining to say the least, but I'm left wondering where they can possibly go next?
Band: Ars Macabra
Album: Daemonolatria Hypnotica (Promo)
Year: 2003
Website: http://www.arsmacabra.com
Rating: 6/10
This promo, featuring two tracks from their forthcoming album "Daemonolatria Hypnotica" wasn't really enough for me to make up my mind about the band.
Hailing from Italy, Ars Macabra play cold, fairly technical, machine gun speed black metal that for most of the time is very competent and interesting. I really do think that the band should find a proper drummer and then I think the band could mean business, the drum machine isn't particularly bad, it just get s a bit too crazy now and again, other than that, from the two track's I have heard, the forthcoming album should be of some interest to underground BM fans.
As I said before, a real drummer would be a huge advantage to the band along with the melodic, raw sounding guitars and the inhuman vocals. Another thing worth mentioning quickly is the bass-lines, if you concentrate on the bass, you can hear some very intricate and complicated work. I will look forward to hopefully receiving the new album when it's out as the band promise the new music is going to introduce new industrial and electronic elements blended with dark and obsessive atmospheres, to challenge new fields and extremities of music, soul and experience. More of a taster than anything so I can't really give it more than a 6.
Band: Arum
Album: Inhuman Echoes from the Shadows (KillZone Records)
Year: 2004
Website: http://www.arum.rg3.net
Rating: 8.5/10
Although Brazil isn't a country you immediately associate with Black Metal, the underground scene there is thriving with some great Black metal bands begging to be heard. Unfortunately many of which will never make it out of the underground or will be heard outside their native country.
Arum however, are one band that could make it big with the right help/promotion etc. "Inhuman Echoes from the Shadows" is the bands second album which is available on the new, and up-and-coming KillZone Records based in Texas, USA. What instantly hits you, is how refreshing the album sounds, there is plenty going on with some very creative stuff throughout. The band's use of keyboards sounds great throughout, they just sit nicely in the background creating some interesting atmosphere's without sounding too up-front. There are also plenty of tempo changes, fast raw black metal one minute and then more of an old school death metal influenced style the next, the use of acoustic passages also adds to the greatness of the album.
It has been said before, but I agree with the Dissection and Old Man's Child comparisons. With the right backing, they could go far.
Band: As Hope Dies
Album: Legions Bow To A Faceless God (Undecided Records)
Year: 2003
Website: http://www.ashopedies.com
Rating: 9/10
Ravaging new school black metal with chaotic fretwork and savage blasts of percussion are the order of the day as Southern California’s As Hope Dies launch a diabolical nuclear storm of fury and castigation. And while this sadly now defunct ensemble delivers torrid sonic rampages, there remains a true sense of mellifluous tonality. Axe grinders Mike Madriga and Justin Smith blaze across the boards on dark anthems such as "In The Presence Of That Evening" with Maiden like precision uncommon in the works of many of their contemporary peers. The coarse shrieks imparted by David Richardson on "Led Astray" are filled with blackened anguish and rancor. On the title track, the band marches forth, armed with discordant venom and striking with brutal definitude
"A Life Dead To Love" is ravenous from start to finish, featuring superlative double kick blasts, while "Deceived" cuts as sharply as a razor, frantic and supreme. It is a great pity that this group disbanded shortly subsequent to the release of this epic pogrom. A coldness surrounds their art like the frosts of Norwegian fields and their following record certainly would have placed them in serious contention for the throne of the Black Metal genre. However, turmoil makes for supreme composition and the frustrations surrounding the group must have surely fueled the fire inherent in this nefarious masterwork
Find this while you still can, for it is truly a pernicious showpiece of the black arts. Review by Star (Contact)
Band: Ashes
Album: Blackened Wrath (Necro Art Records)
Year: 2003
Website: http://www.ashes-online.com
Rating: 8/10
I've got no information whatsoever on Ashes, nor was I able to find any on the web, so i'll do my best to review it.
Ashes, is a one man project from Devon, right here in England and the man responsible for all guitars, bass, drums, keyboards and vocals is the very talented Davidian. This demo is 2 of only 6, and I'm not sure if there is anymore available to buy, if there isn't then it's a real shame. Tracks like "The Old Forest", "Frostland" and "A Darker Hate" should be heard by all.
Ashes sound very similar to the "Wrath of the Tyrant & Emperor" era of the mighty Emperor. If any of you have heard Emperor's Wrath of the Tyrant demo and their s/t album, then you will know what to expect, very early, raw, lo-fi black metal with traditional black metal vocals, keyboards to add an atmosphere, to create an excellent demo. All six of the tracks are very interesting pieces and I have nothing but good things to say about Ashes. Well worth enquiring about getting a copy, contact necroart666@aol.com for details.
Band: Ashes To Ashes
Album: Cardinal VII (DVS Records/The Art Records)
Year: 2002
Website: http://www.atoa.net
Rating: 7/10
Thrashy to Thrashier... Ashes to Ashes is a thrash metal band from the Netherlands.
Incorporating symphonic sounds with thrash/speed metal, Ashes to Ashes has delivered "Cardinal VII", an awesome work of underground metal. As the record progresses, it grows on you and you start to see their unique signature thrash metal, with a little mix of doom. There's not much more I can say about this album, except that it's a very steady release
You should definitely check Ashes to Ashes if you're into doom/thrash metal. By Cesar Rosales
Band: Ashtorath
Album: The Everlasting Grey
Year: 2003
Website: http://www.angelfire.com/goth/deathmaiden/Site/index.html
Rating: 8.75/10
I have had two albums by Ashtorath to review for a couple of weeks now, and still I don’t know what to say.
This is not just music, this is art, this is beauty, this is poetry! Ashtorath is all down to one man, musical genius Despairialindrid. He states that "Ashtorath is beyond good and evil, as Nietzsche would have it. Within a singular mind, Ashtorath is darkness. Mistake not its soft tones and distant hymns... It is built upon the foundation of art, poetics, and all that is gloom. Transcending mortal coils of contemporary lyrics or simple chords, trends and fashions, time and space... I set out to try something new, to keep the feel of real instruments alive while touching the experimental, to bring forth various styles: metal, classical, gothic, ambient...to meld these elements of art, music and poetry together into a darkened ethereal brew" Ashtorath is the grim, saddened, beautiful, hideous tale of all and nothing...
This is definitely not going to be to everyone’s liking and will take a lot of listening to. It may or may not click, but when the blend of metal, ambient, gothic, classical music does, you’ll understand the sheer beauty and effort. Ashtorath isn’t just another band; it’s a cult, a following. Truly amazing.
Band: Ashtorath
Album: Darkstorm Entwined
Year: 2002
Website: http://www.angelfire.com/goth/deathmaiden/Site/index.html
Rating: 9/10
This was before "The Everlasting Grey" but I feel that it is slightly better. It is more atmospheric and much darker.
It’s clear that Despairialindrid wanted to avoid superficiality with the project and get people to experience it without prior opinions instilled by religion or peers. Everything about Ashtorath and Despairialindrid is intriguing, and if you visit to Ashtorath site you will be there for ages reading the philosophy and beliefs of Ashtorath.
If you want to know about the music, read the review below. As I said before, Ashtorath isn’t just another band; it’s a cult, a following. Truly amazing.
Band: Astrofaes
Album: The Eye of the Beast (Oaken Shield)
Year: 2002
Website: http://portal.xsunderground.net/dossier.phtml?id=166
Rating: 8/10
Ukraine’s Astrofaes have been very active sine their formation in 1996. This is (as far as I can make out) their fifth full-length album.
Astrofaes play mid-paced, raw black metal Scandinavian style. This is the first band I have heard from the Ukraine and I am very impressed. What makes the band stand out is the originality of the riffs. They are melodic but still capture the rawness of the early black metal bands.
The musicianship of Thurios & Khorus is excellent, and the vocals by Thurios are evil. The only bad point I can think of is the drums tend to fade in and out of the mix, other than that I would recommend this if you are looking for something different yet familiar.
Band: Astrosoniq
Album: Sound Grenade (Free Bird Records)
Year: 2004
Website: http://www.astrosoniq.com
Rating: 9/10
For me to sum up Astrosoniq in a few lines would be impossible, not to mention a crime in itself!
With styles and influences coming from the likes of 70's rock, space rock, blues-rock, heavy metal, doom, stoner rock and throw in a bit of groove, and you come close to the sound of Astrosoniq. As you can probably imagine, it's a pretty experimental album and they totally succeed with everything they do on here, especially the giant 10 + 12 minute "Aphrodite's Child" and "Daemon ology"
I really can't remember one boring moment or a part where I lost interest. I'd say band like Queens of the Stoneage and Monster Magnet are good comparisons, but don't miss out on this one as you will easily be pleased as much as I was when you hear them. Unique and entertaining!
Band: Atrophia Red Sun
Album: Twisted Logic (Adipocere Records)
Year: 2004
Website: http://ars.rockmetal.art.pl
Rating: 8.5/10
Well, I don't know if this is slab of musical genius or a complete mess?!?!
"Twisted Logic" is a long and complex listen that attempts to break so many musical boundaries, that results in as interesting and original album. It does take a few listens to understand what Atrophia Red Sun are about, I've listened to this a good few times, and there's still things I'm discovering that I missed on the previous listen.
Their experimental Death/Black Metal with industrial bizarreness didn't really hit me at first, but give it a few more listens and you will soon begin to realise just how complex and original Atrophia Red Sun are. I could have easily dismissed this, but I'm glad that I gave it a chance because it turned out to be a great album. It's only their debut as well, so expect great things to come to.
Band: Attitude Force
Album: Surviving in a Hell (Self-Released)
Year: 2003
Website: http://www.attitudeforce.rg3.net
Rating: 7.5/10
Although they formed back in 1997, it wasn't until last year they released their debut, the "Surviving in a Hell" MCD.
From what I've heard, they've got their foundations and they just need to build on that, and I'm sure with a few minor improvements here and there, we'll have a really exciting band on our hands. Influences range from the likes of Priest, the more melodic aspects of Maiden and hints of 80's thrash here and there. Attitude Force are mainly a high energy bands with their Maiden style galloping riffs, but there also not afraid of turning things down a notch and slowing things down.
The song "Come My Death" is what the band are all about even though the opening riffs sounds the recycled into to Slayer's "Seasons in the Abyss". They are not far off at the moment, with a little work I they could go far.
Band: Audition, The
Album: Controversy Loves Company (Victory Records)
Year: 2005
Website: http://www.theauditionrocks.com
Rating: 5.5/10
I just don't know what it is about Emo. It's as if they're all happy just to sound the same.
Luckily, The Audition aren't one of those annoying bands that really get on my nerves. They do sound like numerous bands out there though, but they actually try to put there mark on things. There are a couple of standout tracks, with their thick guitar sound and great vocal melodies, but the album in the end just seems to blend together.
Fairly catchy I'll give them that, but they're just not that memorable in the long run. Their collaboration with Victory though will probably shift a few albums.
Band: Aura Noir
Album: The Merciless (Tyrant Syndicate/Peaceville Records)
Year: 2004
Website: http://www.auranoir.com
Rating: 9.5/10
How I've never managed to come across one of Aura Noir's previous releases escapes me. Consisting of Aggressor (Vocals/Guitar/Bass/Drums) Apollyon (Vocals/Guitar/Bass/Drums) Blasphemer (Guitar) with guest appearances from Darkthrone’s Fenriz and Nattefrost from Carpathian Forest.
An interesting fact about this album is Apollyon writes, sings and plays everything on the even numbered tracks while Aggressor does the same but on the odd numbered tracks. I've got a soft spot for Blackened Thrash and this was a more than welcome to enter my CD player, in fact it's my new favorite album of the moment, imagine equal parts Venom and Dark Angel, with hints of Celtic Frost. "The Merciless" is a great journey through some classic Blackened Thrash, a little on the short side short, but great non-the-less.
This is the first release on the new Tyrant Syndicate Productions set up by the mighty Darkthrone, let's hoop some more like this come my way. If you like your metal black, thrashy, ugly and raw, you cannot miss out on this album, trust me!
Band: Ausgebombt
Album: Hellbomber (Hardcore Holocaust)
Year: 2003
Website: http://www.hardcoreholocaust.com/id180.htm
Rating: 7/10
With members of Blood Spit Nights and Hellshock, Portland's Ausgerbombt rant and rave about war, death and destruction all in a very Discharge style raw hardcore/punk.
Even though there is just 7 tracks at just over 20 minutes, the album still back a punch with it's heavy distorted bass, fast hardcore/punk chord progressions and a few slower rhythms that have an early 80's thrash feel to them which keeps things a little more interesting. The vocals could do with turning up a bit but other than that this is a prime example of the of how the genre should be done properly.
Nothing really new or mind blowing, just fast and aggressive hardcore/punk which will kick your ass. If your a fan of this style, "Hellbomber" could be just what your looking for.
Band: Awesome Machine, The
Album: The Soul of a Thousand Years (People Like You Records)
Year: 2003 (Release Date: 10.11.03)
Website: http://www.awesomemachine.com
Rating: 9/10
If you've been looking for some heavy, riff-Laden Stoner rock, then this could be the one for you.
The only negative thing about this album that I must mention first is the vocals, I personally think that they add to the uniqueness of TAM, but I do feel others may find it a little annoying. TAM are quite similar to Clutch in ways, heavy, groovy and very unique, they are the only band that I can see rivaling the greatness of Clutch at the moment. Every track on this album is amazing, they really do break the boundaries of Stoner Rock and at times move to a very "doomy" sounding style, combining both heaviness and melody.
I've never heard of The Awesome Machine before this, but now is their time to rise to bigger things. "The Soul of a Thousand Years" is a very exciting, powerful, groovy, catchy, psychedelic and heavy, all at the same time, the riffs come at you from every direction and is like a fist in the stomach, this is sure not to disappoint.
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